Bluebirds special for Boxing Day

As Part of our Twelve Days of Christmas,Day Two We have a Great Vodcast with Cardiff City Legend Adrian Alston

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Cap number: 205

World Cups played at: 1974

Position: Striker

Age at World Cup: 25 (now aged 69)

Clubs played for:

South Coast United, St George, Safeway United, Luton Town, Cardiff City, Tampa Bay Rowdies, Wollongong City

Best World Cup moment:

Alston started all three games at the tournament, including the high-profile clash against host-nation West Germany in Hamburg.

In that match he put a classy turn on German defender Hans-Georg Schwarzenbeck, who was rated as one of the best markers in Europe, who just hacked Alston down.

The move – and Alston’s overall display – impressed West German boss Helmut Schon, who later described the English-born striker as the ‘most dangerous player in the Socceroos team’.

Career highlight:

Alston’s eye-catching performances at the FIFA World Cup caught the attention of European clubs, and he eventually signed with Luton Town, who had just been promoted to the old first division.

He also lays claim to being the first player to perfect the move known as the ‘Cruyff Turn’, using it in the clash against West Germany.

"I used to do this trick but not very often,” Alston said in an interview a few years ago.

"Johan Cruyff was obviously watching on television too. He must have practiced it for five days because five days later he did the same thing against Sweden."

Post-playing career:

Alston stayed involved in the game after his playing days, coaching at clubs including Port Kembla, Wollongong City and Bulli FC.

He also worked as a carer for people with intellectual disabilities.

Did you know?

After the game against eventual champions West Germany, Alston was the lucky Socceroo to get the jersey of star player Franz Beckenbauer.

Australia's 1974 World Cup hero Adrian Alston conceded he made the biggest mistake of his footballing career when he snubbed the Bundesliga juggernaut for the rough and tumble English league.

Alston, who is now 68, played a key role in the Socceroos' World Cup campaign and strong performances against East Germany, West Germany and Chile brought him to the attention of some big clubs.



At the time Alston was a semi-professional striker on the books of south coast club Safeway United, who played in the NSW State League.

Hertha Berlin offered him a lucrative package but the English-born striker knocked it back and chose to sign for Luton Town, who had just been promoted to the old first division.

"It was the biggest mistake I ever made," said Alston, who lives in Wollongong and still works with a support group for people with intellectual disability.

"I had three firm offers from Hertha Berlin, Hamburg and Eintracht Frankfurt and I chose Hertha. I will never forget the contract: $40,000 signing-on fee and so much a week plus an apartment until I got myself organised.

"We had agreed terms and a transfer fee had to be arranged between Hertha and Safeway.

"By the time I got back to Australia Luton had expressed an interest because I had scored against them during the Socceroos' world tour the year before and they remembered me, they said.

"Of course, I was thinking my wife and I had family in England and there would be no language barrier. Luton also had just been promoted to the big league and I opted to join them.

"It was a big mistake and Franz Beckenbauer would sum it up perfectly when I met him in America later and he was spot-on.

"He asked me why I went to England when the national team did not even make the (1974) World Cup let alone be a top team.

"He told me everybody in Germany had watched my games and he could not understand why I chose to go to England where nobody had seen me play.

"England were not interested in the World Cup because they did not qualify. In Germany it would have been a massive thing for me and they would have accepted me with no problem at all."

'Noddy' Alston, who played 43 times for the Socceroos, was happy to talk to The World Game about his club and country career and the great adventure surrounding the 1974 World Cup.



What was Australian football like in the pre-National Soccer League days?

"I came from England. I was an amateur at Preston North End and after a year I was offered a chance to come to Australia. I said 'why Australia?'. I was told the heavy grounds in England did not suit me because I was a ball player.

"I grew up quite quickly in Australia with the great lifestyle, the nice food and the grounds that suited me. And it went from there.

"The NSW State League comprised almost the whole of the national team and it was a very strong competition. I was playing on the south coast when I was picked for the World Cup."

What do you remember most from the playoff with South Korea for a place in the 1974 World Cup?

"I was speaking to Jimmy Rooney just a few days ago and we both agreed that at the time we did not fully realise what we had achieved until we actually played in the World Cup in Germany.

"To be able to get among the best 16 in the whole world in a tournament like that and be recognised was incredible.

"The game in Hong Kong when we beat South Korea 1-0 obviously sticks in your memory because we were just semi-professional footballers who were not exposed to the world."

The whole qualifying campaign involving tens of thousands of kilometres must have been horrendous.

"Rale Rasic had built a family-type atmosphere within the group from the world tour we had undertaken the year before. We did everything together. And talking about the endless flights ... I am the worst traveller now because of my knees and legs but I always hated flying.

"I remember once I was on a three-seat side of a plane with Col Curran and Atti Abonyi. Curran grabbed a few blankets and laid down on the freezing floor. Atti and myself tried to keep our feet up trying to be comfortable but it was horrendous.

"We spent so much time in the air and in different beds and hotels that our sleeping patterns were always interrupted. Looking back, you ask yourself 'how did we manage to do that?"

Tell us about your dribbling move that later would be immortalised by Johan Cruyff as the 'Cruyff turn'.



"I used to do this trick but not very often. I tried it a couple of times in our first match in the World Cup against East Germany and then it came off. I turned the defender, who was rated as one of the best markers in European football, inside out and he just hacked me down.

"West Germany coach Helmut Schon must have seen me do it when he said I was the most dangerous player in the Socceroos team.

"Johan Cruyff was obviously watching on television too. He must have practised it for five days because five days later he did the same thing against Sweden."

Was playing West Germany at the World Cup the highlight of your career?

"Without a doubt it was ... and getting Beckenbauer's shirt after the match was the icing on the cake.

"Apparently, some museum in Germany wants me to go over there to show them the shirt because they don't have a green Beckenbauer jersey from the 1974 World Cup. I think they want to exhibit it for a while.

"I will never forget that match in Hamburg and the occasion, even though we lost 3-0."

You guys had to introduce yourselves to the current Socceroos in a recent official get-together. Do you feel your achievements have not been adequately recognised?

"Of course. Every time you look at an international game from overseas in Germany, Netherlands or England you can always see retired heroes doing something for the game.

"They are involved in different sorts of things not just watching the game so they will always be famous and popular within their own country.

"Now tell me, how would a 20 year-old Australian football fan know who I am?

"Even my grandkids at first did not even know I played for Australia and they only believed me when I showed them some little video clips."

What was coach Rasic like? What was his favourite kind of player and what was his pet hate?

"We had plenty of barneys with Rale but he always won. If you were to look at football today he would be a sort of Jose Mourinho, somebody you knew he was the chief by just looking at him.

"He loved us to have a joke but at training and in games it was different. You had to do the right thing.

"We had different players come and go but Rasic always told us 'I don't look at the player but the man'. He obviously meant that he wanted players who were capable of fitting in with us.

"Nowadays you hear things about players wanting their own room, wanting this and wanting that. Not with Rale, no chance: you had to be part of the whole group, the family.

"Today you get all these players listening to music with headphones and not even talking to each other. Rale had us as one big family in the bus, joking, singing and going mad at each other. He loved the camaraderie. He really did.

"His pet hate: he had a million of them. He used to get frustrated by players who did not give 100 per cent. He sometimes told me 'as soon as you score a couple you switch off' and he would sub me. He was big on discipline. Without it we would never have got the World Cup."

What are your recollections from your stint in the English first division?

"I started quite well in the first few games in 1974 when the weather was fine and I had a good match at Highbury against Arsenal when I scored and hit the post ... that's when people started taking an interest in me.

"But when the winter set in the heavy grounds became my undoing. Our home ground was often like a bog. It was like playing in mud so my game of running with the ball and taking people on went out the window. I also got injured.

"It was a difficult season and Luton ran into financial problems and could not pay me. So that's when I signed for Cardiff who agreed to pay me the money I was owed. I had a lovely time in Wales.

"Playing in the big grounds was wonderful but nothing beats the World Cup."

Which was the greatest Socceroos team?

"In my opinion if we had been full-time professionals like they are now we would have held our own with any Socceroos side.

"By that I mean same training, same conditions and same travel arrangements.

"I think the 1974 team was the best balanced of all. We were quite strong all over the field. Some other Socceroos teams had five or six good players and other ordinary ones while we were the best balanced."

Do you wish you played today?

"If you asked me if I could play today I'd say all I can hope for is a spot on the bench. The reason is I'm 68!

"Seriously, the only reason I would want to play now is the financial one.

"From a playing perspective it would have been much easier for me as a striker because there is no tackling from behind today.

"They used to follow through with the tackling and you got wiped all the time. It would've been easier and more comfortable to be able to receive the ball and bring it down. It was accepted to go for the leg and the ball at the time. Life is much better for the strikers nowadays."

Who were the best footballers you played with and against?

"Abonyi, who today would be a No 10, is the finest player I have played with by a million miles. We had a telepathic understanding of what each one of us was going to do at our club St George and with the Socceroos.

"I played against Pele and George Best but Beckenbauer would have to be the greatest I've ever played against without doubt."

Who are the players you admire most abroad and in Australia?

"Everybody says the same thing but Cristiano Ronaldo and Lionel Messi have an unbelievable talent. Many people say Ronaldo's a big head but he's generous off the field and I like him."

Who is your all-time favourite player: Di Stefano, Pele or Maradona?

"For me it's none of the three: it's Beckenbauer hands down.

"This is not just because I played against him twice, I have his shirt and I spoke to him in America. In 2006 he came over to us Australians, signed my shirt and brought me a DVD and I thought to myself 'what a wonderful man to remember me like that.

"As far as the striker role is concerned I will go for Pele."

ADRIAN ALSTON FACTFILE

Club career:
1968-1969: South Coast United
1970-1972: St George
1973-1974: Safeway United
1974-1975: Luton Town
1975-1976: Cardiff City
1977: Canberra City
1977-1978: Tampa Bay Rowdies

International career:
1969-1977: Australia (43 games)

Honours:
Cardiff: Welsh Cup 1976








John Lennon’s Death 40 years today

TC Photography©

TC Photography©

The words from the Newsreader on my Radio Alarm that day woke me abruptly from my usual comatose dream-like state of just another 5 mins before getting up work routine. …John Lennon is Dead.

It does not seem like 40 years since that day, a day of sombre disbelief, perhaps in the world we know now it could be said not much shocks us. That day was like a Kennedy moment, we all remember where we were and what we were doing.

Perhaps the shock was amplified by the magnitude of Lennons Fame, or his and Yoko’s total advocation of Peace and Love made it hard to comprehend, The nature of his Death,being shot by a fan who he had signed an Autograph for,or maybe his recent re-emergence into the world of Music after many years of absence whilst being a parent and Family guy had brought hope of more songs and Possible Beatles Collaborations.. .Or maybe it was growing up with somebody that co constructed the soundtrack to mine and many Peoples younger years.

Lennon was not a Saint, He was a man with faults,opinionated and Hard to work with some may say, but he was a genius.

Lennon/McCartney songs will be played forever, quite simply because Musically and Lyrically they connected with people and always will,that is the genius.

I was fortunate to visit New York a few years ago, I took some photos, thought a bit about John, The Music, Listened to a Busker playing Beatles Songs who got into an argument ( i think that may have amused Lennon…New York Life!). Stared at where he lived and the streets he would have walked, Subway and Stalls with souvenirs,Artists Painting What would he have made of it.

You may say I’m a Dreamer………



Phil Campbell and The Bastard Sons - New Album

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Formed in the aftermath of MOTÖRHEAD’s dissolution, following the death of LemmyKilmister in 2016, PHIL CAMPBELL AND THE BASTARD SONS were always going to draw a crowd at any discerning rock or metal festival. Led by one of the genre’s most respected guitarists and completed by his sons Todd (guitar), Tyla (bass) and Dane(drums) and powerhouse frontman Neil Starr, the band emerged onto the 2017 touring circuit powered by a huge amount of good will, a smattering of MOTÖRHEAD covers and a handful of new songs that crackled with passion and swagger. Landing themselves a prestigious support slot on GUNS N’ ROSES 2017 summer stadium run, the BASTARD SONS hit the ground running.

Fast forward to 2020 and, just like everyone else, PHIL CAMPBELL AND THE BASTARD SONS had to cancel a lot of carefully-laid plans when the global pandemic descended on us all. But as if to confirm their absolute dedication to blowing people’s heads off with thunderous rock’n’roll, the band refused to cancel plans to record a follow-up to their widely lauded debut. Recorded and engineered during lockdown by guitarist Todd Campbell, the second BASTARD SONS album may be just the tonic people need right now. It’s called“We’re The Bastards” and it’s bigger, better and even more raucously uplifting than its predecessor. In fact, it’s the sound of a great band hitting their stride and buzzing with confidence.

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Bassist Tyla Campbell on the new song:
“If you want some feel good rock n roll to help you through these continuing depressing times and need something to uplift your spirits then buy this album! You won’t regret it”


Order your copy of "We're The Bastards" here:
http://nblast.de/PCATBS-WereTheBastards

Save the album on all digital streaming platforms here:
http://nblast.de/PhilCampbellATBSpreS
  

The band's drummer Dane Campbell has used his time during the pandemic to start his own podcast called 'Drum For The Song' which is available from all the usual outlets and YouTube. There are already many episodes featuring great drummers like Matt Sorum, Nigel Glockler, Mark Richardson, Moose Thomas and more. Find it here on Spotify and on Youtube.

"We're The Bastards" is available as CD, limited digipack including 4 bonus tracks, 2LP Gold, 2LP Sparkle [UK exclusive], digital album, 2 LP Orange/Black Splatter [Mailorder + Wholesale exclusive] and 2LP Black.

The tracklist reads as follows:
1. We're The Bastards
2. Son Of A Gun
3. Promises Are Poison
4. Born To Roam
5. Animals
6. Bite My Tongue
7. Desert Song
8. Keep Your Jacket On
9. Lie To Me
10. Riding Straight To Hell
11. Hate Machine
12. Destroyed
13. Waves

Bonus tracks [limited digipak]:
14. Big Mouth (Live)
15. Freak Show (Live)
16. Dark Days (Live)
17. Rock 'n' Roll (Live)

Check out our Podcast with Phil recorded last year.

Embarking on a solo tour supporting his first solo record, Phil Campbell and his son Dane sat down with Keep Cardiff Live for a chat about life with Motorhead, performing with family as part of Phil Campbell and the Bastard Sons and growing up in South Wales.

Remembering Eddie Van Halen

Charles Stylianou reflects on the life and career of Eddie Van Halen on behalf of KCL as the world still reflects on the loss of such a brilliant and influential musician.

We still struggle to believe that the virtuoso guitarist Eddie Van Halen, has died of cancer at age 65. It’s with a heavy heart his son Wolfgang, who became the band’s bassist when it reunited in 2007, announced the news on Twitter on Tuesday.

“I can’t believe I’m having to write this but my father, Edward Lodewijk Van Halen, has lost his long and arduous battle with cancer this morning,” he wrote.

“He was the best father I could ever ask for. Every moment I’ve shared with him on and off stage was a gift.”

He added:

“My heart is broken and I don’t think I’ll ever fully recover from this loss.”

“I love you so much, Pop.”


Van Halen was born in Amsterdam in 1955 and raised in Pasadena, California idolising Eric Clapton, pioneered his own dynamic style. He was mostly modeled by a generation of guitarists, playing with both hands on the guitar 's neck.

"I'm doing whatever I want," he said in a 1978 Guitar Player interview.

"I just don't worry too much about it ... It's just pretty spontaneous."

The artist was an autodidact and classically trained pianist who could play most instruments but was unable to read music. After the group met while attending Pasadena City College, he formed the band together with his brother Alex, bassist Michael Anthony, and singer David Lee Roth in 1974.

Before breaking onto the rock scene in 1978 with their self-titled debut album, the band cut their teeth performing in West Hollywood clubs.  Eventually, it sold over 10 million copies as part of a hard rock surge that swept disco off the top of the charts.

The band turned into one of the 20 best-selling artists of all time and released multi-platinum albums in five consecutive years:

Van Halen II (1979)

Women and Children First (1980)

Fair Warning (1981)

Diver Down (1982)

Their biggest hit album was Diver Down (1982) and included the hits Jump, Panama and Hot for Teacher. Apart from that, the guitarist applied the signature riff to Michael Jackson’s smash 1982 hit ‘Beat It.’

Twenty fifteen has been a tremendous year for Van Halen, as Rolling Stone rated him, behind Chuck Berry and Duane Allman, the eighth best guitar player of all time.

Pearl Jam’s Mike McCready commented on Van Halen’s playing for Rolling Stone. He described:

“He sounded like it came from another planet; was glorious, like hearing Mozart for the first time.”

With a brief post on Twitter and a black-and-white photo of the pair together, Roth paid-tribute artist said:

"What a wonderful long trip it has been."

Over the decades-long tenure of the band, Van Halen fought various health problems. In 1999, he underwent hip replacement whereas a partial cancer removal of his tongue followed in 2000. Drug abuse and alcoholism problems led him to divorce from TV star Valerie Bertinelli in 2007. In parallel, he started a rehab stay, and reunited with Van Halen on bass with Wolfgang.

Eddie Van Halen"Eddie Van Halen" by Alan Light is licensed under CC BY 2.0

Tribute-paid artists expressed their grief with beautiful messages.

"My heart is broken. Eddie was not only a guitar god, but a truly beautiful soul" 

Gene Simmons said.


Paul Stanley, Simmons' Kiss bandmate said that:

“he was a trailblazer and someone who really gave his music everything. A decent spirit, too.”

Despite everything, the most heart-touching message was heard by Lenny Kravitz who stated:

“Heaven will be electric tonight”

John Mayer also described Van Halen as:

"an incredibly good musician and composer. One of the motivating factors of my need to pick up a guitar was to look up to him as a young child. I was so blown away watching his instrument exercise such power and speech.”

Nikki Sixx of Mötley Crüe compared Van Halen’s playing to that of Mozart’s. She said:

"You changed our world." 

Lastly, Black Sabbath's Geezer Butler claimed that Van Halen was:

"one of the nicest, down to earth men I've ever met and toured with. A perfect gentleman and a true genius.”


Cancer has been a reason for all of us to remember Eddie’s beautiful personality. We sincerely wish his family well. May Eddie rest in peace.


Bibliography


Horton, A., 2020. Eddie Van Halen dies of cancer aged 65. The Guardian. Available at: https://www.theguardian.com/music/2020/oct/06/eddie-van-halen-dead-age-65.

On This Day 1962- The Beatles' First Performance in Wales

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On this day in 1962, The Beatles’ first performance in Wales took place at the Regent Dansette Ballroom in Rhyl. 

Admission cost just five shillings (25p), and the night lasted from 8pm to 11.30pm. The Beatles were paid £4 for their performance.

They shared a bill with a local group, The Strangers. They were Jeff Sutton (guitar & vocals), Dennis Rothwell (guitar), Pat Shuttle (bass guitar) and Pete Williams (drums).

A mix of tourists and locals were in the audience, and were more likely to have been at the venue to dance than to listen to the live music. The stage was made from wood laid over billiard tables.

The Regent Dansette was a ballroom situated at 38 High Street above a branch of Burton’s tailors. The manager of the venue was Joe Young, whose wife worked on the cash desk. When she arrived she was surprised to hear John Lennon playing classical music on a grand piano kept in one of the rooms.

Prior to the concert The Beatles spent a few hours exploring Rhyl, including the local funfair.

The Beatles came to Rhyl in the early 60s just before they became famous, and to get a bit more cash they crossed the Foryd Bridge and came to The Clwyd Hotel (now The Harbour) and asked my dad, Haydn Davies, who was the first licensee on the North Wales coast to put on cabaret in a pub, for some extra work. But dad being dad turned them away saying ‘I’m not having long haired yobos like that in my pub!’ Oh if he only knew.

Brent Davies

The Beatles never returned to the Regent Dansette, but they did perform again in Rhyl, on 19th and 20th July 1963. Their other performances in Wales included Prestatyn on 24th November 1962; Mold on 24th January 1963; Abergavenny on 22nd June 1963; Llandudno from 12–17th August 1963; and Cardiff on 27th May 1963, 7th November 1964 and 12th December 1965.

Comments from BBC website include:

JoAnne Francis, Rhyl: My grandfather had the Regent Ballroom in Rhyl and the Beatles played there before Ringo joined the band. The stage was wood built over the billiard tables and my nan said during the day John Lennon was playing classical music on the piano, and lots of girls arrived to see them before the gig and my nan sent them away.

Richard Evans: I saw The Beatles – with Pete Best on drums – at the Embassy Dansette Ballroom in Rhyl on 14th July 1962. I think it cost 2/3 to get in – that’s about 14p today. They were supported by local band The Strangers.

Jess Ballard, Holywell: I was working in the cash box [at Rhyl] at the time and so was my husband, the band leader who went under the name ‘Duke Gordon and the Ritz Showband’. The main Beatles hits at the time I believe were ‘Please Please me’ and ‘Love Me Do’.

Brent Davies: The Beatles came to Rhyl in the early 60s just before they became famous, and to get a bit more cash they crossed the Foryd Bridge and came to The Clwyd Hotel (now The Harbour) and asked my dad, Haydn Davies, who was the first licensee on the North Wales coast to put on cabaret in a pub, for some extra work. Dad being dad turned them away saying ‘I’m not having long haired yobos like that in my pub!’

On This Day 1955 - Green Gartside

Green Gartside, singer and songwriter with band Scritti Politti

Green Gartside, a Welsh songwriter, singer and musician. He is the frontman of the band Scritti Politti was born on this day, June 22 1955, in Cardiff.

During art school in Leeds in 1977, Gartside formed the post-punk band Scritti Politti with schoolmate and friend Nial Jinks and university friend Tom Morley. After Gartside and Morley had left college, they moved to London, later securing a recording deal with Rough Trade Records who released the first Scritti Politti album Songs to Remember in 1982. However, subsequent Scritti Politti albums featured Gartside with different personnel, with Gartside being the only constant member of the group.

Beginning as a punk-inspired collective of art students and squatters, Scritti Politti released several early post-punkrecordings on Rough Trade Recordsbefore transitioning into a mainstream pop music project in the early to mid-1980s, enjoying significant success in the record charts in the UK and the US. The group's most successful album, 1985's Cupid & Psyche 85, spawned three UK Top 20 hits with "Wood Beez (Pray Like Aretha Franklin)", "Absolute", and "The Word Girl", as well as a US Top 20 hit with "Perfect Way".

The band's 1988 album Provision was a UK Top 10 success, though it only produced one UK Top 20 hit single, "Oh Patti". After releasing two non-album singles in 1991, as well as a collaboration with B.E.F., Gartside became disillusioned with the music industry and retired to south Wales for more than seven years.[8]He returned in the late 1990s, releasing a new album, Anomie & Bonhomie, in 1999 (which included various rock and hip hopinfluences). In 2005 Rough Tradereleased the compilation Early, which collected the band's first releases. In 2006 Gartside released the stripped-down White Bread, Black Beer.

REVIEW

Hits and anecdotes at Tramshed prove a success for Cardiff's Scritti Politti

Tony Woolway was at the Festival of Voice's Scritti Politti homecoming show

June 2016

It was a long-awaited return to the capital for Cardiff-born Green Gartside.

He's not someone who treads the boards with any regularity, such is his chronic stage-fright - but, for the criminally small crowd who half-filled the city's Tramshed, it was an homecoming like no other as he and his band produced a cracker of a set that featured hits and more.

 First up was Alexis Taylor, the Hot Chip front man performing with the aid of just a piano and percussionist.

A friend and collaborator of Gartside's, his solo material is far removed from his heavily synth-influenced band, playing songs from his latest album Piano and featuring a lovely chilled version of James and Bobby Purify's R&B classic I'm Your Puppet.

But it was Scritti Politti and Gartside that the enthusiastic crowd had come to see and, on his arrival they responded with a cheer normally reserved for a Gareth Bale hat-trick.

Looking slightly nervous at first, Gartside quickly showed how pleased he was to be home with a odd fact, that his grandfather had worked at the very same venue when it was a tramshed, with his other job being a city lamp-lighter, and then effortlessly breaking into the excellent Sweetest Girl.

In between songs Gartside regaled the audience with tales about some of the songs. Sweetest Girl was written with a duet in mind including reggae singer Gregory Isaacs and German band Kraftwork.

Whilst Isaacs responded in the affirmative, the was no reply from Kraftwork.

Years later bumping into the band he asked Kraftwerk if they'd heard the song. Yes, Gartside was told, but, “We hate reggae.”

Still the anecdotes were flowing with Gartside explaining the story of one song, Brushed With Oil, Dusted With Powder.

Pursued by top music manager Peter Asher, a trip to the Hollywood Hills and a meeting found Gartside without a guitar, Asher said he would find him one and produced a guitar belonging to the great Joni Mitchell, a rather surreal moment followed by Gartside started the song, which was later finished whilst sitting above a dentist's in Newport.

It seemed every other song was a hit with The Word Girl, Wood Beez (Pray Like Aretha Franklin) and Hypnotise all sounding as fresh as the day they were released, 30 years ago.

Asylums In Jerusalem, a song Gartside said had only been played once before was quite stunning with the able assistance of his seriously funky band, and, whilst not resting on his laurels, a recent song written with and performed with Tayor, Airforce 2, proved that a new Scritti Politti album would more than a match for anything previously written and on tonight's performance, one certainly to look out for in the near future.

On This Day 1987 - David Bowie

A good concert and first time David did a concert in Wales
In 1987, David Bowie embarked on the The Glass Spider Tour in support of the album Never Let Me Down. The concert tour was the most ambitious by David Bowie surpassing the previous Serious Moonlight Tour in terms of audience figures and number of performances.
It has been estimated by the conclusion of the tour a total of three million people had attended beating his previous record set on the 1983 Serious Moonlight Tour

Anyway this show is quite famous as it’s the first rock concert from this venue.
The second was from U2 a month later,and that’s another story.

The review

It was simply the biggest and best rock concert Wales has seen. A total of 50,000 people paid £750,000 to see a legend and it was worth every penny.

David Bowie, 40, fit and fantastic, sent the National Stadium in Cardiff wild with excitement with a set of hits, ancient and modern.

A taste of everything from Heroes from 1977 to Zeroes from his latest album, Never Let Me Down, echoed around a stadium more used to the hymns and arias of the rugby multitudes and Jehovah’s Witnesses.

The goal posts at the East Terrace end were replaced with a vast stage enveloped by a giant spider which incorporated a series of looping and stretching antennae.

On either side masking the whole of the daunting 260- speaker cabinet sound system were huge scaffolding towers painted gold.

Suddenly the strains of the Hendrix classic Purple Haze, played incongruously on strings, broke the silence of expectation which had hushed the stadium.

Enter guitarist Carlos Alomar to evoke the huge spider to free its brood and a host of spider -dancers descend followed by the main man himself suspended in a silver throne, speaking on a telephone.

Clad in blood red Teddy-boy style suit he threw himself into new material – Glass Spider , Day In - Day Out – surrounded and almost submerged by superb dancers and video crew.

For Bang Bang, Bowie was joined by a Latin dancer, whose seemingly endless leg draped over his shoulder.

And all the while the spiders – now not of Mars – wound around the web of scaffolding, followed by the roving video cameras, which relayed the action to two giant screens either side of the stage.



Tour band 1987 – The Glass Spider Tour
• David Bowie – vocals, guitar
• Peter Frampton – guitar, vocals
• Charlie Sexton – guitar, backing vocals
• Carlos Alomar – guitar, backing vocals, music director
• Carmine Rojas – bass guitar
• Alan Childs – drums
• Erdal Kızılçay – keyboards, trumpet, congas, violin, backing vocals
• Richard Cottle – keyboards, saxophone, tambourine, backing vocals

Tour dancers
• Melissa Hurley
• Constance Marie
• Spazz Attack (Craig Allen Rothwell)
• Viktor Manoel
• Stephen Nichols
• Toni Basil (choreography)

Tour design
• Allen Branton – Lighting design
• Mark Ravitz – Set design
• Christine Strand – Video director

  1. Purple Haze

    (The Jimi Hendrix Experience song)

  2. Up the Hill Backwards

  3. Glass Spider

  4. Up the Hill Backwards

    (Reprise)

  5. Day-In Day-Out

  6. Bang Bang

    (Iggy Pop cover)

  7. Absolute Beginners

  8. Loving the Alien

  9. China Girl

    (Iggy Pop cover)

  10. Fashion

  11. Scary Monsters (and Super Creeps)

  12. All the Madmen

  13. Never Let Me Down

  14. Big Brother

  15. Chant of the Ever Circling Skeletal Family

  16. '87 and Cry

  17. "Heroes"

  18. Time Will Crawl

  19. Beat of Your Drum

  20. Sons of the Silent Age

  21. Dancing With the Big Boys

  22. Zeroes

  23. Let's Dance

  24. Fame

    Play Video

  25. Encore:

  26. Blue Jean

  27. Modern Love

On this Day 16 June 1890 - Stan Laurel was born

On this Day Stan Laurel was born, 16 June 1890, 130 years ago.

The famous comedy duo Stan Laurel and Oliver Hardy topped the bill at Cardiff’s New Theatre in 1952 and received a tumultuous reception.

After making 100 films together the comedy pair came to Cardiff as part of a UK tour aimed at reviving their stardom. 

By the time they came to the UK, they were considered old men back in the USA as audiences turned to newer stars and television drew in millions

But in 1952 in Cardiff, Laurel and Hardy still had the magic to make grown men run down the street after them and make eating a bag of chips funny.

One south Wales man in particular was not to be outdone. He was a builder’s labourer, standing in the back of a swaying lorry with all his home- ward-bound labouring mates crushed round him.

The lorry was going down Park Place, then a through-road. It slowed down as it reached the Queen Street intersection and suddenly a brickie's mate called Haydn let out a howl. “Stan,” he bellowed. “Ollie.” And yes, miraculously, it was them - ambling up Park Place towards the New Theatre, disappointingly bereft of Bowler hats but still unmistakeable.

And at that point Haydn launched himself from the lorry, bounced down the road, and fetched up clinging to the right trouser leg of Mr. Norvell Hardy, Mr. Arthur Stanley Jefferson looking on, manfully restraining the urge to scrabble his fingers through his thinning thatch in that famous gesture which suggested total incomprehension.

The next day Haydn boarded the lorry for its trip to Llanbradach . He was bruised, his knees creaked, but he was euphoric. “I touched ‘em. They talked to me. Stan an’ Ollie, they talked to me.”

Hundreds of thousands of words have been written about the greatest comedy team ever, but no tribute to their genius can ever have been more relevant than Haydn’s launch from the back of a lorry because he simply could not bear to let Stan and Ollie pass without paying homage.

In the history section of its website, the New Theatre records how: "In 1952, Stan Laurel and Oliver Hardy, despite both being in their sixties, receive a wonderful reception from several generations of fans for their unique brand of slapstick comedy."

And the press still wanted to speak to them in Cardiff. Asked the secret of their comic genius by a South Wales Echo reporter who visited them in their New Theatre dressing room in 1952, Stan said: “People are fed up with looking at stuffed shirts on the stage. They like action and human characters.

“Too many would-be comedians today want to take the easy way. They don’t want funny clothes or dirty faces. They want to throw away the tramp’s outfit and walk on stage in evening dress and talk. Words, words - no action, no characters.”