1970’s

On This Day 20/10/1976 Deaf School

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On this day, 20 October 1976, art/rock band Deaf School played Cardiff University. The band had just released their debut album 2nd Honeymoon.

Formed in Liverpool, England, in January 1974, between 1976 and 1978, the year in which they split up, Deaf School recorded three albums for the Warner Brothers label.

The first album's art rock style had roots in cabaret, and later releases moved towards a harder punk rock sound. Deaf School have been recognized as an important influence on many British musicians. According to Frankie Goes to Hollywood singer Holly Johnson: "They revived Liverpool music for a generation." The journalist, author and founder of Mojo, Paul Du Noyer, went further: "In the whole history of Liverpool music two bands matter most, one is The Beatles and the other is Deaf School."

Nearly all the group's members went on to enjoy successful careers, notably guitarist Clive Langer, who produced Madness and Dexys Midnight Runners, two non-Liverpool acts which cite Deaf School as an influence. Langer also co-wrote (with Elvis Costello) the song "Shipbuilding".

On This Day 17/10/1975 Canned Heat

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On this day, 17 October 1975, American blues and rock band Canned Heat played Cardiff University.

Formed in Los Angeles in 1965, the group has been noted for its efforts to promote interest in blues music and its original artists. It was launched by two blues enthusiasts Alan Wilson and Bob Hite, who took the name from Tommy Johnson's 1928 "Canned Heat Blues", a song about an alcoholic who had desperately turned to drinking Sterno, generically called "canned heat".

After appearances at the Monterey and Woodstock festivals at the end of the 1960s, the band acquired worldwide fame with a lineup of Hite (vocals), Wilson (guitar, harmonica and vocals), Henry Vestine and later Harvey Mandel (lead guitar), Larry Taylor (bass), and Adolfo de la Parra (drums).

The music and attitude of Canned Heat attracted a large following and established the band as one of the popular acts of the hippie era. Canned Heat appeared at most major musical events at the end of the 1960s, performing blues standards along with their own material and occasionally indulging in lengthy "psychedelic" solos. Three of their songs—"Going Up the Country", "On the Road Again", and "Let's Work Together"—became international hits.

Since the early 1970s, following the early death of Wilson, numerous personnel changes have occurred. For much of the 1990s and 2000s and following Taylor's death in 2019, de la Parra has been the only member from the band's 1960s lineup. Walter Trout and Junior Watson are among the guitarists who played in later editions of the band.

On This Day 14/10/1977 Sutherland Bros & Quiver

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On this day, 14 October 1977, folk, soft rock band Sutherland Bros & Quiver played Cardiff University. The band had recently released their sixth studio album Down To Earth. The band were supported by City Boy.

The Sutherland Brothers (Gavin and Iain Sutherland) were a Scottish folk and soft rock duo. From 1973 to 1978, they performed with rock band Quiver, and recorded and toured as Sutherland Brothers & Quiver.

Under this combined moniker, the group recorded several albums and had a significant international hit single with the song "Arms of Mary" in 1976. In North America, they are primarily known for their 1973 single "(I Don't Want to Love You But) You Got Me Anyway".

Quiver was originally formed by guitarist Tim Renwick and bassist John 'Honk' Lodge (both formerly with Junior's Eyes and David Bowie), but soon comprised Tim Renwick, guitarist and singer Cal Batchelor, bassist Bruce Thomas (who later played with Elvis Costello and the Attractions) and drummer Willie Wilson. Most of the members of Quiver are also featured on Al Stewart's albums Orange (1972) and Past, Present and Future (1973).

Bruce Thomas, who had repeatedly been clashing with Iain Sutherland, then was asked to leave the group during a tour of Europe in March 1974. With only a week to go before the band was due to record their next album, Tex Comer filled in on bass for live gigs and a few album cuts, but Gavin Sutherland quickly moved over from guitar to bass, and the band continued as a five-piece.

As the band was switching labels, a cover of one of the earlier Sutherland Brothers recordings, "Sailing", became a major UK hit for Rod Stewart.









On This Day 11/10/1977 Mink DeVille

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On this day, 11 October 1977, American rock band Mink DeVille played Cardiff’s Top Rank as support to Dr Feelgood. The band just had a UK hit with Spanish Stroll taken from their debut album Cabretta.

Mink DeVille was formed in 1974 when singer Willy DeVille (then called Billy Borsay) met drummer Thomas R. "Manfred" Allen Jr. and bassist Rubén Sigüenza in San Francisco. Said DeVille, "I met Manfred at a party; he'd been playing with John Lee Hooker and a lot of blues people around San Francisco. ... I met Rubén at a basement jam in San Francisco, and he liked everything I liked from The Drifters to, uh, Fritz Lang."

Willy DeVille occasionally sat in with the band Lazy Ace, which included Allen on drums and Ritch Colbert on piano. When Lazy Ace broke up, DeVille, Allen, Colbert, Rubén Sigüenza, and guitarist Robert McKenzie (a.k.a. Fast Floyd, later of Fast Floyd and the Famous Firebirds) formed a band called Billy de Sade and the Marquis.

In 1975, the band changed its name to Mink DeVille; lead singer Billy Borsay took the name Willy DeVille. Said DeVille, "We were sitting around talking of names, and some of them were really rude, and I was saying, guys we can't do that. Then one of the guys said how about Mink DeVille? There can't be anything cooler than a fur-lined Cadillac can there?" DeVille also remarked about the name, "What could be more pimp than a mink Cadillac? In an impressionistic sort of way."

From 1975 to 1977, Mink DeVille was one of the original house bands at CBGB, the New York City nightclub where punk rock music was born in the mid-1970s. "We auditioned along with hundreds of others, but they liked us and took us on.









On This Day 10/10/1979 Penetration

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On this day, 10 October 1979, punk band Penetration played Cardiff’s Top Rank.

Formed in Ferryhill as The Points, under which name they played their first gig, at the Rock Garden pub in Middlesbrough in October 1976, they changed the band's name after a 1973 song by Iggy & The Stooges. Their second gig was supporting The Stranglers at Newcastle City Hall.

Significantly, the band also played at the club The Roxy during its first 100 days. On 9 April 1977, the band appeared on the same bill as Generation X. They were also supported by Joy Division (then named "Warsaw") in May 1977, who were performing their very first gig.Early in their career, the band also supported The Vibrators and toured with Buzzcocks.

After the release of their second single, Penetration recorded the first of two sessions for John Peel at BBC Radio 1 in July 1978. Later that year, the band released their debut album. Moving Targets was number 6 in the Sounds Critics' albums of the year; and it made number 13 in the NME critics' chart.

In 1979, they toured Europe, the US and Britain but the grueling schedule began to take its toll. A disappointing reaction to Coming Up For Air, the second album, was the final nail in the coffin of the original band. After the band split in October an official bootleg album called Race Against Time was released, which was a collection of early demos and live tracks.

On This Day 08/10/1977 Camel

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On this day, 8 October 1977, progressive rock band Camel played Cardiff University. The band had just released their fifth studio album Rain Dances.

The band was formed in Guildford, Surrey, in 1971 by guitarist Andrew Latimer, drummer Andy Ward, bassist Doug Ferguson and keyboardist Peter Bardens. Latimer, Ward, and Ferguson had performed in the Guildford area as a trio named Brew, and in 1971 they auditioned to be the backing band for singer-songwriter Phillip Goodhand-Tait.

The three went on to appear on latter's album I Think I'll Write a Song, released in September 1971. After splitting with Goodhand-Tait, the trio decided that a keyboardist would expand their sound and advertised for one in the Melody Maker. Bardens responded and successfully auditioned with a Hammond organ that belonged to a mutual friend of the group. The four travelled to Ireland to fulfil outstanding contractual obligations Bardens had with his previous outfit On, after which they renamed themselves Camel. Their live debut with the name followed at Waltham Forest Technical College in London in December 1971, supporting Wishbone Ash.

The group began regular touring in January 1972, establishing themselves as a proficient live act. They soon signed with Geoff Jukes of the Buffalo Agency as their manager. By August 1972, Camel signed with MCA Records and their eponymous debut album Camel was released in early 1973.

The band's fourth album, Moonmadness (1976), was the last to feature the original lineup. Mel Collins was added to the band on saxophone and flute for the subsequent tour. Drummer Ward was pushing for a move into jazz, which caused bassist Ferguson to quit the band in early 1977.[6][10] Ferguson formed the band Headwaiter and later became a property developer.

Richard Sinclair (formerly of Caravan) replaced Ferguson, and Mel Collins joined the band in an official capacity. This lineup released Rain Dances (1977) and Breathless (1978).

On This Day 06/10/1972 Electric Light Orchestra

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On this day, 6 October 1972, rock band the Electric Light Orchestra played Cardiff University.

Formed in Birmingham in 1970 by songwriters-multi-instrumentalists Jeff Lynne and Roy Wood with drummer Bev Bevan. Their music is characterised by a fusion of Beatlesque pop, classical arrangements and futuristic iconography.

It was during this tour that Roy and Jeff began to not get along. The problems were initially caused because of the attention Roy was getting over Jeff, especially with the press. Although Electric Light Orchestra was a completely joint venture with the two songwriters/producers/musicians equally splitting the tasks on the first album and during the tour, Jeff's songs were featured even more than Roy's songs. However, at the time, Roy was the much bigger star, having had big chart success as a songwriter and more with The Move. Jeff, on the other hand, had experienced no chart success with the Idle Race and little to no chart success as a songwriter when he joined The Move.

So at press events and many of the tour performances, it was Roy who was getting all the attention, with very little left over for Jeff. According to many sources, they nearly came to blows at times and would stand at the edge of the stage on performance nights and argue who should be the last to go on to the stage. There are specific reports of this in Italy, so that "getaway" leg of the tour did little to allay the problem. Roy claims, and probably accurately, that manager Don Arden fomented the rivalry, with the goal of getting one to leave the band and then he would have two bands with talented musicians to manage, rather than one band with two talented musicians.

The reason for Roy Wood’s departure was the subject of gossip columns for many years after it happened. The truth is, the band was having difficulties functioning with two leaders. Roy and Jeff were great friends, sharing a dream with the creation of the Electric Light Orchestra concept. Roy has stated that he was often troubled by the disagreements over the direction of his band while in The Move and would not go through that again. So when Roy and Jeff were apparently feuding in Electric Light Orchestra, the very thing he didn't want to happen was happening. There are some stories of them arguing over such miniscule things as who would go on stage first while at shows. Therefore, Roy left to form another band, Wizzard, where he was the sole leader. The problem was that Roy left without telling anybody. When the band came together in July to work, Roy was simply gone and Jeff and Bev learned about Roy leaving from the music trade papers.

After Wood's departure in 1972, Lynne became the band's sole leader, arranging and producing every album while writing nearly all of their original material. For their initial tenure, Lynne, Bevan and keyboardist Richard Tandy were the group's only consistent members.

Line up

Jeff Lynne: vocals, guitar

Bev Bevan: drums

Richard Tandy: keyboards

Wilf Gibson: violin

Mike Edwards: cello

Colin Walker: cello

Mike deAlbuquerque: bass, backing vocals

Jake Commander: engineer

On This Day 02/10/1975 Melanie

On this day, 2 Oct 1975, American singer Melanie played Cardiff’s Capitol Theatre.

Melanie is widely known for the 1971–72 global hit "Brand New Key"; her 1970 version of the Rolling Stones' "Ruby Tuesday"; her composition "What Have They Done to My Song Ma"; and her 1970 international breakthrough hit "Lay Down (Candles in the Rain)", which was inspired by her experience of performing at the 1969 Woodstock music festival.

The No. 1 hit "Brand New Key" (often referred to as "The Roller Skate Song"). sold over three million copies worldwide and was featured in the 1997 movie Boogie Nights.

When first released, "Brand New Key" was banned by some radio stations because some inferred sexual innuendo in the lyrics. Melanie acknowledged the possibility of reading an unintended sexual innuendo in the song, stating:

“ Iwrote ['Brand New Key'] in about fifteen minutes one night. I thought it was cute; a kind of old thirties tune. I guess a key and a lock have always been Freudian symbols, and pretty obvious ones at that. There was no deep serious expression behind the song, but people read things into it. They made up incredible stories as to what the lyrics said and what the song meant. In some places, it was even banned from the radio ... My idea about songs is that once you write them, you have very little say in their life afterward ... People will take it any way they want to take it.”

Melanie had another top 40 hit single in 1973 with "Bitter Bad", a song that marked a slight departure from the hippie sentiments of her earlier hits, with lyrics such as "If you do me wrong I'll put your first and last name in my rock n' roll song". Melanie's other chart hits during this period were the self-penned "Together Alone" and a cover of "Will You Love Me Tomorrow", which reached No 37 in the UK Singles Chart in March 1974.