On This Day 19/06/1974 Dave Edmunds

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On this day, 19 June 1974, Cardiff rock legend Dave Edmunds played Cardiff’s Top Rank. Also on the bill were Dr Feelgood and Brinsley Schwartz.

Edmunds had a UK Christmas Number 1 single in 1970 with "I Hear You Knocking", a Smiley Lewis cover, which he came across while producing Shakin' Stevens and the Sunsets' first album entitled A Legend. The recording was the first release on Edmunds' manager's MAM Records label. This single also reached No. 4 in the US, making it Edmunds' biggest hit by far on either side of Atlantic Ocean. It sold over three million copies, and was awarded a gold disc.

Edmunds had intended to record Wilbert Harrison's "Let's Work Together", but when he was beaten to that song by Canned Heat, he adapted the arrangement he intended to use for it to "I Hear You Knocking". The success of the single caused EMI's Regal Zonophone Records to use an option that it had to claim Edmunds' album, 1972's Rockpile, and the momentum from the single's success on a different label went away.

Edmunds' only acting role followed, as a band member in the David Essex movie Stardust. After learning the trade of producer, culminating in a couple of singles in the style of Phil Spector, "Baby I Love You" (No. 8 in the chart) and "Born to Be with You" (No. 5 in the chart), he became linked with the pub rock movement of the early 1970s, producing (among others) Brinsley Schwarz, Ducks Deluxe, Flamin' Groovies, and blues rock band Foghat, using a stripped down, grittier sound.

Edmunds had bought a house in Rockfield, Monmouth, a few miles away from Charles and Kingsley Ward's Rockfield Studios, where he became an almost permanent fixture for the next twenty years. His working regime involved arriving at the studio in the early evening and working through till well after dawn, usually locked in the building alone. Applying the layered Spector Wall of Sound to his own productions, it was not unusual for Edmunds to multilayer up to forty separately recorded guitar tracks into the mix.

On This Day 17/06/1977 The Boomtown Rats

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On this day, 17 June 1977, Irish punks The Boomtown Rats played Cardiff University as support to headliner Tom Petty.

The band was formed in 1975 with five of the six members who came from Dún Laoghaire, while Pete Briquette was originally from Ballyjamesduff, County Cavan, Ireland. Geldof initially managed the band but took over the lead vocals from Garry Roberts. Initially known as The Nightlife Thugs, the group changed their name to The Boomtown Rats, which Geldof had taken from Woody Guthrie's autobiography Bound for Glory.

In the summer of 1976, the group played their first UK gig before moving to London where they signed with Ensign Records later that year.Their first single, "Lookin' After No. 1", released in August 1977 after a year of touring, including the support slot with Tom Petty. It reached the Top 40 of the UK Singles Chart at No. 11.

Their first album The Boomtown Rats was released the following month and included another single, "Mary of the 4th Form" reached No. 15 in December. Music journalist Martin C. Strong commented, "Geldof's moody charisma helped to give the band a distinct identity".

Comment left on a Rats website described the evening -

Anonymous said...

I live in Cardiff - and saw the Cardiff gig at the students union - actually it was the UWIST building which formed part of the university. Good as the rats were, I can catagorically assure you that they did "ANYTHING BUT" blow Petty off stage. In fact, there were a number of duff notes played and for some reason that night, Geldof couldn't hold a tune in a bucket.... sorry, but thats the truth....

EmJay said...

I was there too. Anon is right. If you watch the Tom Petty doc they say Cardiff was the gig where they first realised they were going to make it. I was part of the Ents crowd and went and saw Petty support Nils Lofgren at the Capitol a month before (didn't stay for Nils). I pushed the legendary Dave Scott who ran Ents to book Petty as a main band - he got them to play the Great Hall of the Union (it was joint UC and Uwist union) for a crate of beer and a couple of hundred quid cos no-one had heard of them and they hadn't headlined before. Petty played Top of the Pops on the Thursday night for the first time and sold out Cardiff on the Friday. We'd never heard of the Rats and they were arrogant, obnoxious and rough but full of energy and fired up crowd for amazing Petty gig. After helping hump out Petty and the Rats kit, the next morning I stuck out my thumb and still singing "American Girl" hitched down to the last Stonehenge Free Festival...

On This Day 27/05/1977 The Stranglers

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On this day, 27 May 1977, Punk/New wave legends The Stranglers played Cardiff’s Top Rank on the band’s Rattus tour. The had just released their single Peaches, taken from their debut album Rattus, issued the previous month. Support was provided by punk band London.

The Stranglers' early sound was driven by Jean-Jacques Burnel's melodic bass, but also gave prominence to Dave Greenfield's keyboards. Their early music was also characterised by the growling vocals and sometimes misanthropic lyrics of both Burnel and Hugh Cornwell.

Over time, their output gradually grew more refined and sophisticated. Summing up their contribution to popular music, critic Dave Thompson later wrote: "From bad-mannered yobs to purveyors of supreme pop delicacies, the group was responsible for music that may have been ugly and might have been crude – but it was never, ever boring."

From 1976 the Stranglers became associated with the burgeoning punk rock movement, due in part to their opening for the first British tours of American punks the Ramones and Patti Smith. Notwithstanding this association, some of the movement's champions in the British musical press viewed the band with suspicion on account of their age and musical virtuosity and the intellectual bent of some of their lyrics. However, Burnel was quoted saying, "I thought of myself as part of punk at the time because we were inhabiting the same flora and fauna ... I would like to think the Stranglers were more punk plus and then some.

During their appearance at the University of Surrey on the BBC TV programme Rock Goes to College, on 11 October 1978, and aired on the 19 October, the group walked off stage because an agreement to make tickets available to non-university students had not been honoured.

On This Day 24/05/1977/ Subway Sect

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On this day, 24 May 1977, punk band The Subway Sect played Cardiff’s Top Rank supporting The Clash on their White Riot tour. Also on the bill were, The Slits and June Buzzcocks.

The core of the band was singer-songwriter, Vic Godard, plus assorted soul fans, who congregated around early gigs by the Sex Pistols until Malcolm McLaren suggested they form their own band.

Subway Sect were among the performers at the 100 Club Punk Festival on Monday, 21 September 1976 – sharing the bill with Siouxsie and the Banshees, The Clash and the Sex Pistols.

The first line-up of Godard on vocals, Paul Packham on drums, Paul Myers on bass and Rob Symmons on guitar lasted for four gigs before Mark Laff replaced Packham. Laff himself then left for fellow punk group Generation X after the White Riot tour.

A third drummer, Bob Ward, was recruited, and it is this line-up that can be heard on the band's first John Peel session and also on the single "Nobody's Scared". This was the first and only release on Braik Records, a label owned by Bernie Rhodes, who managed both Subway Sect and The Clash.

Rhodes subsequently supervised the recording of their debut album at Gooseberry Studios in London, with Clash sound man and producer Mickey Foote at the production helm. At that time the band toured extensively with The Clash and others.

Joe Strummer…..

“Number One for me at the moment are the Subway Sect. They've got some good ideas. The Slits are good, too. Palmolive on drums! She's the female Jerry Nolan. But like everyone, they need to do thirty gigs in thirty days and they would be a different group. Then they'd be great. The same with us.”

On This Day 16/05/1975 Alan Stivell

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On this day, 16 May 1975, Breton and Celtic musician and singer, songwriter, recording artist, and master of the Celtic harp Alan Stivell played Cardiff’s Capitol Theatre.

From the early 1970s, he revived global interest in the Celtic (specifically Breton) harp and Celtic music as part of world music. As a bagpiper and bombard player, he modernized traditional Breton music and singing in the Breton language. A precursor of Celtic rock, he is inspired by the union of the Celtic cultures and is a keeper of the Breton culture.

On 28 February 1972, Stivell performed a concert in the Olympia theater, a famous music hall in Paris, where Alan and his band played music combining traditional Celtic music with modern sounds (electric guitar, drums, etc.). This concert made Stivell and his music well known throughout France. At this time, Stivell's eclectic approach to music was very new and was considered risky, but it soon became popular. Over 1,500,000 records of that concert (À l'Olympia) were sold. Alan Stivell's newfound fame propelled him to tour across France, the United Kingdom, Canada and the United States. He continued recording, and published a collection of Breton poetry in 1976.

Music critic Bruce Eder has stated: "[Alan Stivell's] harp recordings, with their enveloping lyricism and tightly interwoven patterns of variations, can appeal to more serious listeners of new age music. Stivell's main audience, however, lies with fans of Celtic music and culture, and English folk music. Embracing ancient and modern elements, but (apart from his folk-rock work) making no compromises to modern melodic sensibilities, his music captures the mystery and strangeness of Breton, Irish, Welsh, and Scottish landscapes that are both ageless and timeless. It is haunting, mysterious, and beautiful, with no equivalent in modern popular music and few peers in the realm of commercial folk music."

On This Day 06/05/1978 Magazine

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On this day, 6 May 1978, new wave band Magazine played Cardiff University. The band had just recently released their second album Secondhand Daylight which peaked at no38 in the UK album charts.

Upon its release, Secondhand Daylight was hailed in the NME. Reviewer Nick Kent described songs like "Feed the Enemy" as "very Low-period Bowiesque", due to the "stray saxophone bleats and lulling synthesiser chords". Sounds was less positive; music journalist Garry Bushell declared that Magazine were in "retreat to the '70s progressive lie". The Guardian wrote that the album "explores the mixture of keyboards, saxophone and Howard Devoto's Rottenesque vocals in a professional, controlled and surprisingly subdued manner".

Formed in 1977 in Manchester in England by singer Howard Devoto and guitarist John McGeoch. After leaving the punk group Buzzcocks in early 1977, Devoto decided to create a more progressive and less "traditional" rock band. The original lineup of Magazine was composed of Devoto, McGeoch, Barry Adamson on bass, Bob Dickinson on keyboards and Martin Jackson on drums.

Their debut album, Real Life (1978), was critically acclaimed and was one of the first post-punk albums. After releasing two other albums, Secondhand Daylight and The Correct Use of Soap, McGeoch left the band in 1980 to join Siouxsie and the Banshees. Magazine released another studio album and disbanded in 1981. All four of their albums reached the top 40 on the UK Albums Chart.

On This Day 04/05/1976 PFM

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On this day, 4 May 1976, Italian progressive rock band PFM played Cardiff University.

Premiata Forneria Marconi (PFM) (translation: Award-winning Marconi Bakery) band founded in 1970 which continues to the present day. They were the first Italian group to have success internationally. The group recorded five albums with English lyrics between 1973 and 1977.

During this period they entered both the British and American charts. They also had several successful European and American tours, playing at the popular Reading Festival in England and on The Midnight Special, a popular national television program in the United States.

PFM introduced new sounds, such as the synthesizer, to the Italian musical world. They were also among the first to combine symphonic classical and traditional Italian musical influences in a rock music context. Such innovations and their longevity have earned PFM a place among the most important bands in the Progressive rock genre.

PFM's first live performance in the UK was on BBC Radio 1's 'In Concert' programme introduced by DJ Pete Drummond on 21 May 1975 in which they performed their own arrangement of Rossini's William Tell Overture. They also appeared on the BBC television show The Old Grey Whistle Test firstly in 1974 and 1975. On 13 April 1976, on the same show, they performed the title track to the album. The album reached the UK top 20 but was less successful internationally.

Tour Setlist

Paper Charms

La luna nuova

Dove... quando..., parte I

Dove... quando..., parte II

Guitar Solo

(acoustic)

Out of the Roundabout

Chocolate Kings

Mr. 9 Till 5

Celebration

La carrozza di Hans

Alta Loma 5 Till 9

Guillaume Tell Ouverture

(Gioachino Rossini cover)

On This Day 27/04/1973 Alex Harvey

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On this day, 27 April 1973, iconic Scottish rocker Alex Harvey and The Sensational Alex Harvey Band played Cardiff University.

Although his career spanned almost three decades, he is best remembered as the frontman of the Sensational Alex Harvey Band, with whom he built a reputation as an exciting live performer during the era of glam rock in the 1970s.

SAHB produced a succession of highly regarded albums and tours throughout the 1970s. The Sensational Alex Harvey Band had top 40 hits in Britain with the single "Delilah", a cover version of the Tom Jones hit, which reached number seven in 1975, and also with "The Boston Tea Party" in June 1976.

The band never achieved acclaim in the United States the way it did in Great Britain, but it had a cult following in certain US cities, especially Cleveland, where the group first played at the Agora Ballroom in December 1974. Thanks to airplay from WMMS, songs like "Next" and "The Faith Healer" became very popular. Cleveland remained a city where the Sensational Alex Harvey Band had a devoted following. However, they were unable to replicate that popularity in most other US cities.

After Harvey left the group in 1976, the other members continued as SAHB (Without Alex) producing the album Fourplay. Harvey re-joined the group for 1978's Rock Drill. SAHB with Alex toured the UK in Autumn 1981 with the last gig at Workington's Carnegie Theatre on 1 November.