Cardiff

On This Day 15/04/1944 Dave Edmunds

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Happy 80th birthday to legendary Welsh rocker Dave Edmunds, born on this day in Cardiff in 1944.

Although he is mainly associated with pub rock and new wave, having many hits in the 1970s and early 1980s, his natural leaning has always been towards 1950s-style rock and roll and rockabilly.

Edmunds was born in Cardiff, Wales. As a ten-year-old, he first played in 1954 with a band called the Edmunds Bros Duo with his older brother Geoff (born 5 December 1939, Cardiff); this was a piano duo. Then the brothers were in the Stompers, later called the Heartbeats, formed around 1957 with Geoff on rhythm guitar, Dave on lead guitar, Denny Driscoll on lead vocals, Johnny Stark on drums, Tom Edwards on bass and Allan Galsworthy on rhythm. Then Dave and Geoff were in The 99ers along with scientist and writer Brian J. Ford.

After that Dave Edmunds was in Crick Feather's Hill-Bill's formed in c 1960, with Feathers (Edmunds) on lead guitar; Zee Dolan on bass; Tennessee Tony on lead vocals; Tony Kees on piano and Hank Two Sticks on drums. The first group that Edmunds fronted was the Cardiff-based 1950s style rockabilly trio The Raiders formed in 1961, along with Brian 'Rockhouse' Davies on bass (born 15 January 1943, Cardiff) and Ken Collier on drums. Edmunds was the only constant member of the group, which later included bassist Mick Still, Bob 'Congo' Jones on drums (b. 13 August 1946, Barry, South Wales) and John Williams (stage name John David) on bass. The Raiders worked almost exclusively in the South Wales area.

In 1966, after a short spell in a Parlophone recording band, the Image (1965–1966), with local drummer Tommy Riley, Edmunds shifted to a more blues-rock sound, reuniting with Congo Jones and bassist John Williams and adding second guitarist Mickey Gee to form the short-lived Human Beans, a band that played mostly in London and on the UK university circuit. In 1967, the band recorded a cover of "Morning Dew" on the British Columbia label, that failed to have any chart impact.

After just eighteen months, the core of Human Beans formed a new band called Love Sculpture that again reinstated Edmunds, Jones and Williams as a trio. Love Sculpture released their debut single "River to Another Day" in 1968. Their second single was a quasi-novelty Top 5, a reworking Khachaturian's classical piece "Sabre Dance" as a speed-crazed rock number, inspired by Keith Emerson's classical rearrangements. "Sabre Dance" became a hit after garnering the enthusiastic attention of British DJ John Peel, who was so impressed he played it twice in one programme on "Top Gear". The band issued two albums.

After Love Sculpture split, Edmunds had a UK Christmas Number 1 single in 1970 with "I Hear You Knocking", a Smiley Lewis cover, which he came across while producing Shakin' Stevens and the Sunsets' first album entitled A Legend. The recording was the first release on Edmunds' manager's MAM Records label. This single also reached No. 4 in the US, making it Edmunds' biggest hit by far on either side of Atlantic Ocean. It sold over three million copies, and was awarded a gold disc.

Edmunds had intended to record Wilbert Harrison's "Let's Work Together", but when he was beaten to that song by Canned Heat, he adapted the arrangement he intended to use for it to "I Hear You Knocking". The success of the single caused EMI's Regal Zonophone Records to use an option that it had to claim Edmunds' album, 1972's Rockpile, and the momentum from the single's success on a different label went away.

Edmunds' only acting role followed, as a band member in the David Essex movie Stardust. After learning the trade of producer, culminating in a couple of singles in the style of Phil Spector, "Baby I Love You" and "Born to Be with You", he became linked with the pub rock movement of the early 1970s, producing (among others) Brinsley Schwarz, Ducks Deluxe, Flamin' Groovies, and blues rock band Foghat, using a stripped down, grittier sound.

Edmunds had bought a house in Rockfield, Monmouth, a few miles away from Charles and Kingsley Ward's Rockfield Studios where he became an almost permanent fixture for the next twenty years. His working regime involved arriving at the studio in the early evening and working through till well after dawn, usually locked in the building alone. Applying the layered Spector Wall of Sound to his own productions, it was not unusual for Edmunds to multilayer up to forty separately recorded guitar tracks into the mix.

His own solo LP from 1975, Subtle as a Flying Mallet, was similar in style. The Brinsley Schwarz connection brought about a collaboration with Nick Lowe starting with this album, and in 1976 they formed the group Rockpile, with Billy Bremner and Terry Williams. Because Edmunds and Lowe signed to different record labels that year, they could not record as Rockpile until 1980, but many of their solo LPs (such as Lowe's Labour of Lust and Edmunds' own Repeat When Necessary) were group recordings. Edmunds had more UK hits during this time, including Elvis Costello's "Girls Talk", Nick Lowe's "I Knew the Bride", Hank DeVito's "Queen of Hearts" (later a larger, international hit for American country-rock singer Juice Newton), Graham Parker's "Crawling from the Wreckage", and Melvin Endsley's "Singing the Blues" (originally a 1956 US Country No. 1 hit for Marty Robbins, then a US pop No. 1 cover for Guy Mitchell, and a UK No. 1 for both Mitchell and Tommy Steele). The album Repeat When Necessary received a Silver Certification from the British Phonographic Industry on 20 March 1980 (for over 60,000 copies sold in the UK). The single "Girls Talk" also received a Silver Certificate from the BPI.

Unexpectedly, after Rockpile released their first LP under their own name, Seconds of Pleasure (1980), the band split. Edmunds and the band, including Lowe, performed in a music video for the track "Girls Talk", directed by Martin Pitts and produced by Derek Burbidge and Helen Pollack. For the video the band set up on the roof of the Warner Brothers Records building in Midtown Manhattan in the early afternoon. Edmunds spent the 1980s collaborating with and producing an assortment of artists, including Paul McCartney, King Kurt, Stray Cats, Fabulous Thunderbirds, and Status Quo.

On his 1983 release, Information, Edmunds collaborated on two songs with Jeff Lynne, the leader of Electric Light Orchestra. One of these songs, a Lynne composition, "Slipping Away", became Edmunds' only other US Top 40 hit, spending a single week at No. 39 while having a video clip in heavy rotation on MTV. It was not a hit in the UK. In 1984, Lynne produced six tracks on Edmunds' following album, Riff Raff. He also recorded the soundtrack for the movie Porky's Revenge!, supplying the main theme, "High School Nights."

In late 1985, Dave Edmunds was the musical director and a participating band member of Carl Perkins's Blue Suede Shoes: A Rockabilly Session television special recorded live at Limehouse Studios in London. Other musicians involved in the project included George Harrison, Ringo Starr, Eric Clapton and Rosanne Cash. In 1989, Edmunds produced the album Yo Frankie for Dion.

Edmunds recorded less frequently after the mid-1980s, living in Wales in semi-retirement, but occasionally touring. He joined up with Ringo Starr & His All-Starr Band for tours in 1992 and 2000. However, 2007 marked a return to touring for Edmunds, alongside Joe Brown, on a lengthy tour around the UK. He made an appearance on stage alongside Stray Cats, at the Brixton Academy in London, on 10 September 2008, playing "The Race Is On" and "Tear It Up" with the band.

On New Year's Eve 2008, he appeared on Jools' Annual Hootenanny, performing "Girls Talk" and "I Hear You Knocking". He was Holland's guest again at Borde Hill Garden on 20 June 2009, on 28 August at an open-air concert at Carrickfergus Castle, on 31 October at Ipswich Regent, on 7 November at Stoke Victoria Hall and on 14 November at Nottingham Concert Hall. Edmunds also played a five-song set, including "I Hear You Knocking," "I Knew the Bride" and "Sabre Dance" with the Holland Big Band at the Royal Albert Hall on 27 November 2009.

He returned and performed "Sabre Dance" on Jools' Annual Hootenanny on the 2009/10 edition. An album release on 19 November 2013 called ...Again, featured recordings from the 1990s, plus four new tracks, Edmunds' first for almost 20 years, with the title track released as a digital download single. In 2015, Edmunds released his first instrumental album On Guitar... Dave Edmunds: Rags & Classics, which featured instrumental covers of classic songs, such as The Beach Boys' "God Only Knows" and Elton John's "Your Song". The album was Edmunds' final album and after playing a final show in July 2017, he was reported to have retired from the music business.

On this day 28/06/2008 Franz Ferdinand

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Images- may be subject to copyright

On this day 28 June 2008 Scottish band Franz Ferdinand played The Point in Cardiff.

Formed in Glasgow in 2002. The band's original lineup was composed of Alex Kapranos (lead vocals, lead guitar, keyboards), Nick McCarthy (rhythm guitar, keyboards, backing vocals), Bob Hardy (bass guitar), and Paul Thomson (drums, percussion, backing vocals).

Julian Corrie (keyboards, lead guitar, backing vocals) and Dino Bardot (rhythm guitar, backing vocals) joined the band in 2017 after McCarthy left during the previous year.

The band is one of the more popular post-punk revival bands, garnering multiple UK top 20 hits. They have been nominated for several Grammy Awards and have received two Brit Awards – winning one for Best British Group – as well as one NME Award.

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Review - David McGonigle - music OMH

It’s gotten to be a bit of a rock band cliche, but it’s nevertheless refreshing to see Franz Ferdinand playing a tour of ‘small, intimate venues’ as a warm-up to their full-on assault on various international festivals later this summer.

Refreshing because no matter how big the four boys from Glasgow get in the future, there’s something about their punky intensity that will always be best heard in the confines of a small, dark club.And while the Point – a stately converted church located in Cardiff’s gentrified Bay Area – couldn’t be further away from the art shows and mates’ houses that the band began their career in, its modest size and superior acoustics ensure that everyone in the venue is no more than a thrown drumstick away from the fab four themselves.

If chief Franz Alex Kapranos’ banter can’t be understood, well, it’s got a lot more to do with his accent than the The Point’s soundsystem.

The last venue that Franz Ferdinand played in Cardiff was the International Arena, and the ease with which Kapranos gets the crowd to clap along to the evening’s opener, a driving, powerful take on Michael suggests that they hasn’t left all of their arena rock moves at home, a point ably made again later as Kapranos and guitarist Nick McCarthy interrupt Tell Her Tonight with some major scissor-kick action.

The band seem to be having a ball, and for the first few songs we get highlights from their two albums, 2004’s Franz Ferdinand and 2005’s You Could Have It So Much Better, including a great Dark of The Matinee, and a tender, more pensive Walking Away.

But this is 2008, and the band haven’t released a new album for three years. And while there’s been a slow trickle of new tunes which have primarily ended up on fan club 7-inches and film soundtracks, Kapranos’ recent suggestions that the new album may be held back to 2009 means that anyone jonesing for a new Franz fix will need to catch them live.

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And, despite what you might have heard about the new ‘African’ direction from the group, we’re offered up pretty much more of the same; effortlessly tuneful and sharp, sure, but no real left turns, no obvious changes in musical direction, just tuneful, catchy, bounce-up-and-down guitar pop.

It’s not easy to identify any of the new tunes by name, but going on the lyrics and the band’s own website it’s possible to discern the tracks Ulysses, Kathryn Kiss Me, What She Came For, and perhaps even Lucid Dreams…but don’t quote me on that one.

The band play flawlessly, enthusiastically, even; it’s often hard to know if the musicians are having as good a time as the audience, but the shit-eating smiles on the foursomes’ faces makes it all pretty clear. Yet even as the band finish their encore with a pounding This Fire – sounding more and more like Trevor Jackson’s Playgroup remix every time it’s played – how long will their fans be happy with more of the same, as excellent as it all is? For Franz Ferdinand are not McFly; their lead singer writes books, their guitarist paints – this is a band who wear their art school past clearly and obviously on their sleeves. But, except for a polyrhythmic interlude where the percussionists from Panico join them to provide Miami Vice-esque rim shots to a pretty standard pop punk tune, there is little evidence of their threatened forward direction that the band have riffed on in recent interviews.

Franz Ferdinand came to Cardiff, and saw, and rocked, for sure, but if they want their audience of mainly 20 and 30somethings to keep up with them, they’d better pull something other than scissor kicks out of the leftfield for their next album.

On the day 16th/June/1967 Small Faces

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Images may be subject to copyright

On this day, 16 June 1967, mod rockers the Small Faces played two shows at Cardiff’s Top Rank.

The band had not long come off a long UK tour in a package that include Roy Orbison, Paul and Barry Ryan and Jeff Beck.

Signed initially to Decca, by 1966, despite being one of the highest-grossing live acts in the country and scoring many successful singles, including four UK Top 10 chart hits, the group still had little money.

After a confrontation with infamous manager Don Arden, who tried to face down the boys' parents by claiming that the whole band were using drugs, they broke with both Arden and Decca.

They were almost straight away offered a deal with the newly established Immediate label, formed by ex-Rolling Stones manager Andrew Loog Oldham.

Given a virtual open account at Olympic Studios in Barnes, London, the band progressed rapidly, working closely with engineer Glyn Johns.

The band had earlier in the month released their first single for Immediate, “Here Comes The Nice”, written by guitarist Steve Marriott and bass guitarist Ronnie Lane, which reached No 12, whilst its follow up “Itcychoo Park” released in August, made No 3 in the UK singles chart.


On This Day 12/6/09 Oasis

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All Images Subject to Copyright

On This Day, 12 June 2009, Manchester supergroup Oasis played Cardiff’s Millenium Stadium on the group’s Dig Out Your Soul World Tour. Support was provided by Rhys Ifan’s band The Peth, The Enemy and Kasabian.

The tour started in Seattle, Washington at the WaMu Theater on 26 August 2008 and was planned to continue until 30 August 2009, where they were scheduled to play their final show of the tour at the I-Day Festival in Milan, Italy.

However, on 28 August 2009, after a fight between the Gallaghers in the backstage, their manager announced the cancellation of their concert at the Rock-en-Seine festival near Paris just minutes before it was about to begin, the cancellation of the European tour and that the group "does not exist anymore", referring a coming statement from Noel Gallagher.

Two hours later, a little before midnight, on the band website, a statement of Noel Gallagher read: "It's with some sadness and great relief to tell you that I quit Oasis tonight. People will write and say what they like, but I simply could not go on working with Liam a day longer. Apologies to all the people who bought tickets for the shows in Paris, Konstanz and Milan."

Review - South Wales Echo

GENERATOR problems and power cuts may have marred the opening nights of this tour, but Oasis last night had no problem electrifying thousands of fans on their only night in Wales.

Liam and Noel Gallagher put on a united front at the Millennium Stadium.

The pair have had their public differences over the years, never more so, it seemed, than earlier this year, when Noel publicly derided his brother as “rude, arrogant, intimidating and lazy”.

Certainly last night the atmosphere between the siblings was noticeably tense, even if there was no evidence of the civil war that threatened to break out following Noel’s outburst in April.

Nonetheless, the growing difference between the pair was evident from the moment they strode confidently out in front the rabid crowd of around 70,000.

Liam’s trademark green parka – part of his new Pretty Green clothing range – looked positively scruffy next to his brother’s immaculate white blazer, paired with a striped pale pink scarf.

But both outfits fitted the bill adequately as they launched into set opener Rock’n’roll Star.

Bravely following the Definitely Maybe classic with two new songs, the Manchester Britpop veterans capitalised on the teeming enthusiasm among the crowd with a sequence that might have lost the attention of a less involved audience.

Liam’s chance to shine came shortly afterwards, with early song Slide Away showcasing his distinctive vocals, and his own composition Songbird. The budding songwriter grasped it with both hands.

Kicking the evening into gear in style, the band rolled out the anthem Morning Glory, before cheekily dedicating My Big Mouth to Charlotte Church.

From there on in, there was nothing but adoration for a band fans had travelled from miles around to see, as hit after hit was blended stylishly with tracks from latest album Dig Out Your Soul.

Early support sets had come from The Peth, complete with a hobbling Rhys Ifans, and The Enemy, who were followed by a barnstorming outing from Kasabian – very much from the Oasis school of macho-posturing – which threatened to steal the show.

But a vivacious performance from the Manchester favourites put paid to any argument they should disappear quietly into the sunset

SETLIST

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Rock 'n' Roll Star

Lyla

The Shock of the Lightning

Cigarettes & Alcohol

Roll With It

To Be Where There's Life

Waiting for the Rapture

The Masterplan

Songbird

Slide Away

Morning Glory

My Big Mouth

The Importance of Being Idle

Half the World Away

I'm Outta Time

Wonderwall

Live Forever

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Supersonic

Encore:

Don't Look Back in Anger

(Acoustic)

Falling Down

Champagne Supernova

I Am the Walrus

(The Beatles cover