On This Day 17/04/1967 Bo Diddley

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On this day, 17 April 1967, American singer, guitarist, songwriter and music producer Bo Diddley played Cardiff Top Rank, supported by his backing band The Canadians. Also supporting were The Creation.

Diddley played a key role in the transition from the blues to rock and roll. He influenced many artists, including Buddy Holly, Elvis Presley, the Beatles, the Rolling Stones, the Animals, George Thorogood, and the Clash.

His use of African rhythms and a signature beat, a simple five-accent hambone rhythm, is a cornerstone of hip hop, rock, and pop music.

In recognition of his achievements, he was inducted into the Rock and Roll Hall of Fame in 1987, the Blues Hall of Fame in 2003, and the Rhythm and Blues Music Hall of Fame in 2017.

He received a Lifetime Achievement Award from the Rhythm and Blues Foundation and the Grammy Lifetime Achievement Award.

Diddley is also recognized for his technical innovations, including his use of tremolo and reverb effects to enhance the sound of his distinctive rectangular-shaped guitar.

On This Day 13/04/1976 Judas Priest

On this day, 13 April 1976, heavy metal rock band Judas Priest played Cardiff’s Top Rank on their Sad Wings Of Destiny tour.

Formed in Birmingham in 1969. They have sold over 50 million copies of their albums, and are frequently ranked as one of the greatest metal bands of all time.

Despite an innovative and pioneering body of work in the latter half of the 1970s, the band had struggled with indifferent record production and a lack of major commercial success until 1980, when they rose to commercial success with the album British Steel.

In March 1976, the band released their second studio album Sad Wings Of Destiny, recorded at Rockfield Studios, Monmouth, S. Wales.

It is considered the album on which Judas Priest consolidated their sound and image, and songs from it such as "Victim of Changes" and "The Ripper" have since become live standards. It was the band's only album to feature drummer Alan Moore.

Noted for its riff-driven sound and the wide range of Rob Halford's vocals, the album displays a wide variety of styles, moods and textures, inspired by an array of groups such as Queen, Led Zeppelin, Deep Purple and Black Sabbath

On This Day 03/04/1967 Otis Redding

On this day, April 3rd, 1967, Otis Redding and the star-studded Stax Records revue played Top Rank Suite in the Welsh capital, and those who attended the event said that Redding was immense as part of the outstanding line-up.

Redding was joined by special guests Arthur Conley, Sam & Dave, Eddie Floyd, The Mar-Keys and Booker T. & the M.G.’s; a bill that’ll live on as one of Cardiff’s greatest Soul/R&B showings.

Unlike the Motown Records tour of 1965, which (surprisingly) was a rather anticlimactic show, the Stax Records gig was a huge success. That night at Top Rank Suite helped popularise the genre in South Wales, and Redding will be regarded by listeners all across the world as one of the most charismatic and beloved soul singers of his generation. 

Before his death in a tragic airplane accident on 10th December 1967, Otis Redding had written and recorded an ambitious selection of new music. ‘(Sittin’ On) The Dock of the Bay’ was one of these, and when eventually released in January 1968, it became the first posthumous record in history to reach No. 1 on the Billboard charts. The song almost became Redding’s self-written obituary.

It was a stunning overture that preceded the USA’s catastrophic failure in Vietnam, as well as the assassinations of Martin Luther King Jr and Robert Kennedy in 1968. However, Redding’s death was not overshadowed by the events that followed, with ‘(Sittin on) The Dock of the Bay’ selling more than two million copies.

On This Day 21/02/1978 XTC

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On this day, 21 February 1978, new wave band XTC played Cardiff’s Top Rank. The band had just released their debut album White Music.

Released on 20 January 1978. It was the follow-up to their debut, 3D EP, released three months earlier. White Music reached No. 38 in the UK Albums Chart and spawned the single "Statue of Liberty", which was banned by BBC Radio 1 for the lyric "In my fantasy I sail beneath your skirt". In April 1978, the group rerecorded "This Is Pop" as their third single.

Originally titled Black Music, referring to black comedy, the title was changed at the suggestion of both Virgin Records and the band's manager. The resultant title, White Music, refers to white noise.

White Music achieved modest success, charting in the Top 40 on the UK album charts, although its singles failed to chart. The band performed "Radios in Motion", "I'll Set Myself on Fire" and "Statue of Liberty" on BBC Two's The Old Grey Whistle Test on 14 February 1978.

XTC

Andy Partridge – guitar, harmonica, vocals

Colin Moulding – bass guitar, vocals

Barry Andrews – piano, organ

Terry Chambers – drums

Setlist

Radios in Motion;

Cross Wires;

Statue Of Liberty;

I'll Set Myself On Fire;

I'm Bugged;

New Town Animal In A Furnished Cage;

Into The Atom Age;

All Along the Watchtower;

She's So Square;

Do What You Do;

Dance Band;

Science Friction;

Neon Shuffle;

Hang On To The Night.

On This Day 13/02/1974 Thin Lizzy

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On this day, 13 February 1974, Irish rockers Thin Lizzy played Cardiff’s Top Rank on their Vagabonds of the Western World tour.

The band's third album, Vagabonds of the Western World, was released in September 1973 following strong airplay in the UK, but again failed to chart.

The accompanying single "The Rocker" also found little success outside Ireland, and the momentum gained from their hit single "Whiskey in the Jar" was lost.

Eric Bell suddenly left the band on New Year's Eve 1973 after a gig at Queen's University Belfast, due to increasing ill-health and disillusion with the music industry, and young ex-Skid Row guitarist Gary Moore was recruited to help finish the tour.

Moore stayed until April 1974; the band recorded three songs with him in that time, including the version of "Still in Love with You" that was included on the fourth album Nightlife.

The band’s record label Decca had released Thin Lizzy's version of a traditional Irish ballad, "Whiskey in the Jar", as a single.

The band was angry at the release, feeling that the song did not represent their sound or their image, but the single topped the Irish chart, and reached No. 6 in the UK in February 1973, resulting in an appearance on Top of the Pops.

It also charted in many countries across Europe. However, the follow-up single, "Randolph's Tango", was a return to Lynott's more obscure work, and it did not chart outside Ireland.

On This Day 05/02/1980 The Pretenders

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On this day, 5 February 1980, rock band The Pretenders played Cardiff’s Top Rank promoting their debut album released the previous month. Support was provided by UB40.

The album debuted at number 1 on the UK Albums Chart in the week of its release and stayed there for four consecutive weeks.

Formed in March 1978. The original band consisted of founder and main songwriter Chrissie Hynde (lead vocals, rhythm guitar), James Honeyman-Scott (lead guitar, backing vocals, keyboards), Pete Farndon (bass guitar, backing vocals), and Martin Chambers (drums, backing vocals, percussion). Following the deaths of Honeyman-Scott and Farndon in 1982 and 1983, the band experienced numerous personnel changes; Hynde has been the band's only consistent member.

The band's first single, a cover of the Kinks song "Stop Your Sobbing" (produced by Nick Lowe and recorded at the July Regents Park sessions) was released in January 1979 and gained critical attention. It was followed by "Kid" in June 1979. In January 1980, the band reached No. 1 in the UK with "Brass in Pocket"

Setlist

"The Wait"

Precious

"Talk of the Town"

"Cuban Slide"

"Private Life"

"Brass in Pocket"

"Stop Your Sobbing"

"I Go to Sleep"

"Space Invader"

"The Phone Call"

Kid

"Tattooed Love Boys"

"Up the Neck"

On This Day 15/01/1968 The Herd

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On this day, 15 January 1968, rock band The Herd played Cardiff’s Top Rank.

The Herd were founded in 1965 in south London, and recorded three unsuccessful singles with Parlophone. The original lineup was Terry Clark (vocals and guitar), Gary Taylor (guitar), Louis Cennamo (bass), and Tony Chapman (drums). In 1966, all but Taylor quit the group.

With new members Peter Frampton (vocals and guitar), Andy Bown (keyboards), and Andrew Steele (drums), the group got the line-up that made it famous. The singer, Peter Frampton, was 16 when he joined the group in 1966 and had just left school. The other members were a few years older. Parlophone did not want to go on with them, but Fontana were willing to give them a try.

They also sent their manager Billy Gaff away and brought in the songwriters/producers Ken Howard and Alan Blaikley instead. This pair had been largely responsible for a string of hits by Dave Dee, Dozy, Beaky, Mick & Tich.

In October 1967 they supported the Jimi Hendrix Experience at The Saville Theatre, London. Their greatest success came with "I Don't Want Our Loving to Die", (March 1968) a number five UK hit single.

With his boyish photogenic looks, Frampton was dubbed "The Face of ’68" by teen magazine Rave.

The last months of 1968 were tempestuous times for the group. Steele left the group, to be replaced by Henry Spinetti. The group dumped their managers Howard and Blaikley, and briefly found a new mentor in Harvey Lisberg who after three months found himself so bogged down with their personnel problems that he politely withdrew his services. Most songs on their first and only album Paradise Lost were written by Peter Frampton and Andy Bown, just like their next single, "Sunshine Cottage".

Dissatisfied with mere teen idol status, and disappointed with the failure of "Sunshine Cottage", Frampton left by the end of 1968 to form Humble Pie with Steve Marriott.

ON THIS DAY 17/12/1972 THE SWEET

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On this day 17/12/1972, Glam rock giants The Sweet played Cardiff’s Top Rank.

February 1972 saw the release of "Poppa Joe", which reached number 1 in Finland and peaked at number 11 on the UK Singles Chart.

The next two singles of that year, "Little Willy" and "Wig-Wam Bam", both reached No. 4 in the UK. "Little Willy" peaked at No. 3 on the U.S. Billboard Hot 100 after a re-issue in 1973, thus becoming the group's biggest American hit.

Although "Wig-Wam Bam" remained largely true to the style of Sweet's previous recordings, the vocals and guitars had a harder, more rock-oriented sound, largely because it was the first Chinn-Chapman single on which only members of Sweet played the instruments.

In January 1973 "Block Buster!" became Sweet's first single to reach number 1 on the UK chart, remaining there for five consecutive weeks. After their next single "Hell Raiser" was released in May and reached number 2 in the U.K., Sweet's U.S. label, Bell, released the group's first American album The Sweet in July 1973.

The band also capitalised on the glam rock explosion, rivalling Gary Glitter, T. Rex, Queen, Slade, and Wizzard for outrageous stage clothing.

Despite Sweet's success, the relationship with their management was becoming increasingly tense. While they had developed a large fan-base among teenagers, Sweet were not happy with their 'bubblegum' image.

Sweet had always composed their own heavy-rock songs on the B-sides of their singles to contrast with the bubblegum A-sides which were composed by Chinn and Chapman. During this time, Sweet's live performances consisted of B-sides, album tracks, and various medleys of rock and roll classics; they avoided older novelty hits like "Funny Funny" and "Poppa Joe".

A 1973 performance at the Palace Theatre and Grand Hall in Kilmarnock ended in Sweet being bottled off stage; the disorder was attributed by some (including Steve Priest) to Sweet's lipstick and eye-shadow look, and by others to the audience being unfamiliar with the concert set (the 1999 CD release Live at the Rainbow 1973 documents a live show from this period).

The incident would be immortalised in the hit "The Ballroom Blitz" (September 1973). In the meantime, Sweet's chart success continued, showing particular strength in the UK, Denmark, Germany, Sweden, and Australia. By the end of 1973, the band's name evolved from "The Sweet" to "Sweet". The change would be reflected in all of their releases from 1974 onward.