Phoebe Vaughan

Mental Health Awareness Week - A Tribute to Chester Bennington & Linkin Park

Many artists have based their works on personal struggles but one of the most famous is Chester Bennington, an American singer/songwriter who was the leading man of rock band Linkin Park. The band have recently celebrated their 20th anniversary but tragically one member was missing from the celebration. Bennington passed away aged forty-one in 2017. In this article I will discuss Chester’s battles with depression, drug use, and how the man defied both to bring the world some of the best rock songs!

Chester Bennington was born in Phoenix, Arizona (USA) 1976. Chester expressed an interest in music from an early age idolising bands such as Depeche Mode and Stone Temple Pilots. Tragically, Chester’s childhood was not happy as he was sexually assaulted by an unknown person. The abuse lasted until Chester was thirteen years old, and it took years for Chester to tell anyone about the abuse he suffered. Not helping this fact, Chester’s parents also divorced when he was young, he was bullied in school, and the troubled young man turned to alcohol and drugs for comfort. Despite the horrific circumstances Chester maintained his aspiration about being a musician. In 1993, Chester founded his first band ‘Sean Dowell and his Friends’ with his friend Sean Dowell.

The band was not hugely successful but after changing the band name to ‘Grey Daze’ they managed to record at least two albums Wake Me (Re.1994) and No Sun Today (Re.1997). Chester ultimately left the band in 1997, but Dowell remembered his friend fondly and shared memories of Chester after his passing.

Back in 1997, Chester temporarily quit the music industry working as a digital service firm but returned joining a band named Xero. After signing a record deal with Warner Bros, the band released their debut album Hybrid Theory under the name Linkin Park in October 2000. The track ‘In the End’ resulted in a music video which currently has over a billion views on YouTube! It is obvious through the song lyrics that the track is inspired by suicidal thoughts and negative feelings. It resonates with audiences to this day with many siting the track as a coping mechanism for them during times of mental hardship. Chester did not deny the dark side of his personality and admitted the album Hybrid Theory was inspired by his own personal inner demons. The album was critically acclaimed and was followed by five more albums; Meteora (re.2003), Minutes to Midnight (re.2007), A Thousand Suns (re.2010), Living Things (re.2012), The Hunting Party (re.2014). All albums are currently available for purchase on EBay as well as retail shops. 

In 2017, the band released the album ‘One More Light’ which would be the last album Chester would release in his lifetime. Although Chester was now a father to six children and married to his 2nd wife  Talinda he still struggled horrifically with his mental health suffering severe bouts of depression. In an interview Chester discussed how he felt there was ‘another version of himself that wanted to destroy him’ but he tried to combat this ‘version’ of himself through his work. A portion of the interview where Chester discussed his mental health exists with the titled ‘Depression Explained Perfectly by Chester Bennington’ which currently has over three million YouTube views. 

Only two months before his own passing, Chester suffered one of the worst losses when his close friend Chris Cornell died after committing suicide aged only fifty-two. Cornell had a claim to fame being the lead vocalist/guitarist of bands such as Soundgarden, Audioslave, and Temple of the Dog. Chester and Chris became acquainted in the early 2000s and became close over frequent collaborations on their respective albums. The two were so close that Chester became a godfather to Cornell’s son. The loss of Chris devastated Chester but he managed to perform a moving performance for his friend on the Jimmy Kimmel show in which he sang the title song of the album ‘One More Light’ which was well-received by the audience. 

  Only two months later, whilst on holiday, Chester was found unresponsive by his housekeeper. The cause of death was suicide. The same day Chester died was also the day Chris Cornell would have turned fifty-three. 

Numerous artists from Coldplay’s Chris Martin to rapper Jay-Z, and the band Imagine Dragons paid tribute to Chester singing some of his songs, writing moving messages on their social media pages, and sending their condolences to his family. Chester’s funeral was held on July 29th with a stage being set up for performers to sing in celebration of the singer’s life and creativity. 

Chester is remembered fondly by musicians and fans alike for his humble personality, amazing musical ability, and bravery for battling with his inner demons. Another person who is continuously inspired by Chester is the writer of this tribute. My name is Phoebe Vaughan, and I have faced continuous battles with own mental health. To celebrate my love of Linkin Park and Chester, I have listed my top five Linkin Park songs. I hope you enjoy!

My Top 5 Linkin Park Songs

  1. Leave Out All the Rest – A song from the album ‘Minutes to Midnight’ which was featured on the soundtrack to the 2007 Sci-Fi film ‘Sunshine’ which is one of my favourite films. Ironically, the song was not used in the film, but the video can be viewed here.

  2. In the End – A song from the debut album ‘Hybrid Theory’ which has one of the best music videos I have ever seen with surprisingly brilliant CGI-animation espically for early 2000s standards. The video can be viewed here.

  3. In My Remains – This song is one of the saddest songs in Linkin Parks discography at least in my opinion. It is a song about how hard you want to fight, but how easily it is to give up, something someone who suffers with depression can relate to deeply. The song can be listened to here.

  4. Numb – This song is a true rock anthem even with dark lyrics the beat, the instruments, and vocals are almost impossible to not dance too! The music video can be viewed here.

  5. One Step Closer – An almost metal/rock fusion where Chester’s vocals challenge Ozzy Osborne with fantastic guitars to accompany the song. I have only recently discovered this song, but I can tell its going to be stuck in my head for awhile after listening. The video can be viewed here.

I admire how Chester Bennington took some of the most painful topics to himself and turned them into amazing ballads, rock songs, and mental anthems for the world to enjoy! He is a fine example of how to turn something so tragic into something so beautiful. He is deeply missed.

Phoebe Vaughan

Chester Bennington 1976 - 2017

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Immersed Festival Reviews

All Images Copyright KCL

All Images Copyright KCL

Immersed! Festival Sunday - Sofa Sessions - Review

From Friday the 29th to Sunday the 31st of January, Immersed! festival took place through live-streams online. Curated by students from the University of South Wales, the festival saw a variety of artists, all who create different genres of music, and are from in and around Cardiff.

The festival took place to celebrate the live music scene in Cardiff, along with raising money for Teenage Cancer Trust. I tuned in to the beginning of Sunday’s live-stream, titled ‘Sofa Sessions’, and really enjoyed it. 

The format of the festival was really professional, and throughout, as the name suggests, I felt immersed in the set, as if I was physically in the same room watching the artists perform.

On the stream there was also a chat section, where people could make comments and cheer on the artists, as well as reminding everyone watching about donation links for Teenage Cancer Trust, and linking merchandise for the festival, with proceeds going towards the charity.

As with the name of Sunday’s stream ‘Sofa Sessions’, I expected chill, acoustic sets, which is exactly what was shown. Emma Mae’s acoustic set was amazing, using only an acoustic guitar and her incredible vocals, it was completely stripped back and was really lovely to listen to.

The stage setup for her performance was also really nice, with visuals of nature behind her on a screen and blue and green interchanging lighting, there was a really relaxed vibe.

Emma spoke a bit in between each song, about when she wrote it, or what it was about, and every song she performed had beautiful, emotive lyrics. She also performed a cover of Alessia Cara’s ‘Here’, which was a really nice acoustic interpretation of the original version.

My favourite song she performed was a song called ‘Seventeen’, I really enjoyed her entire set, as her music style is exactly what I like listening to. 

Overall, from what I saw of Immersed!, I was really impressed, and thoroughly enjoyed it. I really liked how engaging the festival was, as, being an online event, it can be difficult to keep an audience involved, but the Twitter account was being constantly updated, along with the chat on the stream, so everyone watching could interact.

Having an event like this is amazing for local artists to gain more exposure, and is something that I think should be done in many other areas across the UK in order to showcase homegrown talent.

Also, the fact it was raising money for such an incredible cause like Teenage Cancer Trust makes it even more important. Hopefully the festival continues for years to come, and continues to showcase the amazing talent Cardiff has.

Chloe Mullis


Image Copyright KCL

Image Copyright KCL


Immersed festival 

Immersed festival supplies you with the anthems for your weekend, turn your kitchen into a nightclub and get the whole house moving.

When it comes to immersed festival you will seldom find a lack of great artists to listen to. On the Friday we had dance music, Saturday we had rock and indie music and on Sunday we had the pleasure of slowing things down with smooth tones, lullaby anthems and easy on the ear (and head) acoustic sets.

However, I chose to tune in to DJ Clu & wiz mc on the Friday when ‘let us dance’ was on and I was blown away by the level of talent and production these artists had in their arsenal.

What I liked about the music they played was that it wasn’t the traditional dance music you would typically find in a nightclub. I expected to hear poppy, upbeat melodic and catchy house songs when I first tuned in, but what I was met with was an ‘in your face’, almost grunge esque style of dance music which put me on the back seat. A beautiful mixture of grime, mcing, dream like Saxaphone style instrumentals in-between bars and through listening to this I had an epiphany.

What came to me was that club music that has a high production value, already established artists and DJ’s names attached to a particular dance track, can sometimes overshadow lesser-known creative musicians who have a passion for mcing and rap just as much as a big-name artist. 

Immersed festival gives acts such as DJ Clu and Wiz MC the exposure that they need, with a time as trying as COVID-19 and ongoing struggles with musicians not being able to tour due to travel restrictions and Brexit restrictions, Immersed festival allows these acts to flourish and gain experience by showcasing talented artists to a wider audience.

What we also see here is organic music making and to see these guys throwing everything at the audience while going full speed at 180bpm while pairing different styles of music together was very refreshing and extremely satisfying. 

The rapper (Wiz MC) spent no time in pausing for a breath. It was a constant stream of conscience flow which to an outsider might not seem like much, however being able to rap consistently from one bar to the next is not as easy as you may think when you’re rapping to an instrumental as fast as the one playing.

I felt as though the experience was a breath of fresh air and I can guarantee that if immersed festival had been in a club or the students union, DJ Clu and Wiz MC would blow the roof of the place. I can’t wait to see where they go from here. 

To anyone thinking of tuning in to immersed festival next year, do it. You will not be disappointed, in the meantime, watch this year's festival in its entirety on their YouTube channel @immersed! 2021 on YouTube. They showcase lots of different acts so there's something for all music tastes and styles.

This isn’t just a festival, this is immersed.


Jacob Price

Image Copyright KCL

Image Copyright KCL

Emma Mae

Emma Mae



An Up and Coming Star

This weekend I attended the ‘Immersed’ festival held online by ‘KCL’ (Keep Cardiff Live). I listened to a wide range of different, talented artists during that event, but one act really grabbed my eyes – and ears – attention.

That act was Emma-Mae, a young musician from Leicester, dazzled me with her extraordinary talent. Her songs included ‘Welcome to my Hometown’ and ‘Easy Tiger’ among many others sung in a similar style to ‘Florence + The Machine’ and ‘Alanis Morrissette’.

The performance took place at ‘The Tram-shed’, a venue that is sadly up for sale, filmed in Covid-19 community guidelines, and lasted for less than thirty minutes.

Even though Emma-Mae performed for half an hour it went by so fast due to her beautiful voice, laid-back bandmates as well as the tranquil colour-scheme of her set piece.

 As well as that even though there was no audience, due to the restrictions held in place due to Covid-19, the tranquil, soulful sounds came through and created a totally unique and thought-provoking atmosphere. Emma-Mae’s songs of alcoholism and depression also struck a chord and I found myself relating to a lot of her material as she sang.

I was delighted to find Emma-Mae has her own website where I, and others, can listen to her many singles and find out where she performs, but as of late has been unable to do so do to the on-going Covid-19 pandemic. 

However, pandemic or not, Emma-Mae is a true star in the making and I will continue to listen to her wonderful voice and songs of sadness and hope for many years to come.

Phoebe Vaughan



Image Copyright KCL

Image Copyright KCL

Review of Immersed Festival 2020

Immersed festival is a vibrant, genre hopping music festival hosted in a well loved venue Tramshed in the live music oriented city of Cardiff.

The Immersed Festival is hosted by the University of South Wales; entry to the festival is free but it is encouraged to donate to the charity Teenage Cancer Trust. Due to the coronavirus pandemic, all acts were under strict covid friendly restrictions with the festival being streamed entirely online. Some of the acts that performed include; Yasmine & the Euphoria, Telgate and Mace the Great.

The contrast in genre goes to show how the festival has something for everyone and is worth the listen; the festival was streamed on a multitude of different platforms including Youtube and Facebook.I decided to tune into the Sunday evening stream of the festival, in which there were two stages, 'Libertino Records Stage’ and ‘Sofa Sessions’; I decided to specifically speak on alternative band Bandicoot’s set on the Libertino stage.

Hailing from Swansea, South Wales, Bandicoot bring a fresh new aspect to the Indie Rock scene performing many of their songs in Welsh. Bandicoot’s strong connection to their Welsh national identity and heritage is made very clear throughout their discography creating a strong sense of community within their fanbase. During the Immersed Festival stream, Bandicoot played two separate sets; a full band performance and an acoustic set. Bandicoot played an upbeat, vibrant and overall very enjoying set.

They have a strong stage presence maintaining the audience's interest. I would recommend Bandicoot to fans of the more raw, technical side of indie music.

The atmosphere was very endearing; the way the camera angles worked and the lighting all worked to create the feeling of being at a in person festival.

As I enjoyed the act I would be interested in discovering more of their music and seeing them perform live at some point.Some of the other talented acts who performed on the Libertino stage include Keys and Adwaith. Overall the festival is well run, enjoyable and 100% worth checking out next year!

Bethan Stewart


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Immersed! 2021 - Sunday Session Review - 

Over the past year due to the Coronavirus pandemic, we have had to adapt in many ways. The events industry being one of the industries that have suffered greatly due to in-person events, such as gigs or festivals, being unable to take place.

Immersed Festival, hosted by the University of South Wales in aid of ‘Save Our Venues’ and ‘teenage Cancer Trust’, was a weekend-long virtual event focusing on a different genre each day, the event itself being streamed live on YouTube for free however the university encouraged donations to Teenage Cancer Trust as well as offering their own t-shirts.  

I decided to attend Sunday's event, on the Sofa Sessions stage, where artists such as Hollie Singer, Yasmine & The Euphoria, Emma Mae, and more performed. The act I was excited the most for was Cardiff-based singer, Emma Mae, having previously listened to her 2020 EP ‘What It’s Come To’, an upbeat EP with the juxtaposing lyrics surrounding love and heartbreak. Personally, my favourites of the four songs being ‘Hangover City’ and ‘Easy Tiger’.  

Mae jokingly says how her set “is going to be very sad”. I personally love the atmosphere of Mae’s set, reminding me of the more peaceful gigs I’ve been to, like dodie for instance, who was performed at Tramshed. Her set reminded me a lot of dodies and how I felt at ease and relaxed during the gig. Having this association to a gig I had been to, made it feel as if I was back at the Tramshed listening to Mae perform live. Performing a mix of covers and original songs, Mae’s acoustic set felt raw and full of emotion. The graphics and lighting surrounding Mae didn’t distract you from her performance but rather added to the feeling of rawness to her set. 

I thoroughly enjoyed the festival on Sunday evening, I look forward to the festival next year. 

Katherine Witts

My First Music Memory

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My first musical memory involves listening to songs from various Walt Disney films such as ‘Snow White & The Seven Dwarves’, ‘The Jungle Book’ and ‘Dumbo’.

However, as I was so young the music numbers, though entertaining to my five-year-old self, did not leave a huge impact on me emotionally.

However, this changed when, at the age of seven I first listened to Matt Monroe’s ‘Born Free’ song from the film of the same name.

It was the first song to make me cry and even at a young age I knew this was because of the emotions and meaning of freedom through the song’s lyrics.

To this day I find the song incredibly moving and some days I still get choked up whenever I hear it on the radio. 

Phoebe Vaughan