On This Day 02/10/1975 Melanie

On this day, 2 Oct 1975, American singer Melanie played Cardiff’s Capitol Theatre.

Melanie is widely known for the 1971–72 global hit "Brand New Key"; her 1970 version of the Rolling Stones' "Ruby Tuesday"; her composition "What Have They Done to My Song Ma"; and her 1970 international breakthrough hit "Lay Down (Candles in the Rain)", which was inspired by her experience of performing at the 1969 Woodstock music festival.

The No. 1 hit "Brand New Key" (often referred to as "The Roller Skate Song"). sold over three million copies worldwide and was featured in the 1997 movie Boogie Nights.

When first released, "Brand New Key" was banned by some radio stations because some inferred sexual innuendo in the lyrics. Melanie acknowledged the possibility of reading an unintended sexual innuendo in the song, stating:

“ Iwrote ['Brand New Key'] in about fifteen minutes one night. I thought it was cute; a kind of old thirties tune. I guess a key and a lock have always been Freudian symbols, and pretty obvious ones at that. There was no deep serious expression behind the song, but people read things into it. They made up incredible stories as to what the lyrics said and what the song meant. In some places, it was even banned from the radio ... My idea about songs is that once you write them, you have very little say in their life afterward ... People will take it any way they want to take it.”

Melanie had another top 40 hit single in 1973 with "Bitter Bad", a song that marked a slight departure from the hippie sentiments of her earlier hits, with lyrics such as "If you do me wrong I'll put your first and last name in my rock n' roll song". Melanie's other chart hits during this period were the self-penned "Together Alone" and a cover of "Will You Love Me Tomorrow", which reached No 37 in the UK Singles Chart in March 1974.

On This Day 27/09/1958 The Hi-Lo's

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On this day, 27 September 1958, American jazz/pop vocal group The Hi-Lo's played Cardiff’s Capitol Theatre. Support was provided by Vic Lewis and his Orchestra, jazz harmonica player Max Geldray and Anglo-American comedian Alan Clive.

The Hi-Lo's were a close-harmony vocal quartet of the 1950's and early 1960's who brought the arrangement and harmonics of popular song to a standard which has seldom been equalled and never surpassed. In their time, only the Four Freshmen have acquired a comparable reputation.

They were Gene Puerling, bass-baritone, arranger and leader of the group: Bob Strasen, baritone: Bob Morse, baritone and occasional soloist and Clark Burroughs, tenor. The group was formed in April, 1953 and took their name from the incredible vocal range they covered between them. It was also true that, while Puerling and Burroughs were five feet seven and five feet five respectively, Morse and Strasen topped six feet.

They brought imagination, technical accomplishment, daring, determination and integrity to their artistry when the model for groups of their kind was a safe commercial blend. Their superiority in every department ofarranging, recording and performance was down to the genius of Gene Puerling who, in later years, went on to form Singers Unlimited with replacement Hi-Lo Don Shelton. After disbanding in the midst of the early-sixties British pop invasion of the United States and pursing their various projects, they reformed with great success in the late seventies to perform live and to produce two further outstanding albums.

Brian Wilson of the Beach Boys, the Mamas and the Papas, the Gatlin Brothers, Manhattan Transfer and Take Six were all awakening to their own musical ambitions at this time and cite the Hi-Lo's as a major musical influence. The group's personal appearances at this time are well remembered. They opened for Judy Garland on tour, sang at Madison Square Garden, the Hollywood Bowl and the Royal Albert Hall in London.

A critic who saw them at the Crescendo in Hollywood referred to their 'bright, well-scrubbed look and the highly humorous content of the act … accentuated by spokesman Puerling's comic patter, aided and abetted by cracks from the others' and to a routine in which the four Hi-Lo's wound up in a tangle of arms and legs on the floor. More seriously, they would find huge audiences breathless and captivated by their beguiling vocal performances.

On This Day 22/09/1974 Roxy Music

On this day, 22 September 1974, pioneering art rock band Roxy Music played the last of two nights at Cardiff’s Capitol Theatre. Support was provided by the Jess Roden band.

The tour took them around Europe, Australia and USA where they were seen on USA TV's Midnight Special perfroming 'A Really Good Time' & 'Out Of The Blue'.

The band were about to release their fourth studio album Country Life, which peaked at number three on the UK albums chart.and was the first Roxy Music album to enter the US Top 40, albeit at No. 37.

Country Life was met with widespread critical acclaim, with Rolling Stone referring to it "as if Ferry ran a cabaret for psychotics, featuring chanteurs in a state of shock".

The cover image was controversial in some countries, including the United States and Spain, where it was censored for release. As a result, early releases in the US were packaged in opaque shrink wrap; a later American LP release of Country Life (available during the years 1975–80) featured a different cover shot. Instead of Karoli and Grunwald posed in front of some trees, the reissue used a photo from the album's back cover that featured only the trees. In Australia, the album was banned in some record stores, while others sold each copy inside a black plastic sleeve.

Author Michael Ochs has described the result as the "most complete cover-up in rock history".

Jim Miller, in a 1975 review for Rolling Stone, wrote that "Stranded and Country Life together mark the zenith of contemporary British art rock."

Tour Musicians

Bryan Ferry - Vocals & Keyboards

Phil Manzanera - Guitars

Andy Mackay - Sax & Oboe

Paul Thompson - Drums

Eddie Jobson - Violin & Keyboards

John Wetton - Bass

On This Day 11/09/1975 Wings

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On this day, 11 September 1975, former Beatle Paul McCartney played Cardiff’s Capitol Theatre with his band Wings on their Wing over the World tour.

It was the third date on the tour following concerts at Southampton and Bristol.

The world tour followed the release of Wings' bestselling album Venus and Mars (1975), while the follow-up album, Wings at the Speed of Sound (1976), was completed after the band's Australian concerts.

Both Venus and Mars and Band on the Run (1973) were well represented in the setlist for the two 1975 legs. Songs from Speed of Sound were then introduced into the set in March 1976, and McCartney is known to have remarked: "Everything I have done since The Beatles split has been leading up to this."

Wings' line-up for this tour was Paul McCartney (vocals, bass, piano, acoustic guitar), Linda McCartney (keyboards, backing vocals), Denny Laine (vocals, electric and acoustic guitars, bass, keyboards, percussion), Jimmy McCulloch (electric and acoustic guitars, bass, vocals) and Joe English (drums, percussion, backing vocals). They were joined by brass and woodwind players Howie Casey, Steve Howard, Thaddeus Richard and Tony Dorsey.

Set List

Venus And Mars / Rock Show / Jet

Let Me Roll It

Spirits Of Ancient Egypt

Little Woman Love

C Moon

Maybe I'm Amazed

Lady Madonna

The Long And Winding Road

Medicine Jar

Soily

Picasso's Last Words

Richard Cory

Bluebird

I've Just Seen A Face

Blackbird

Yesterday

You Gave Me The Answer

Magneto And Titanium Man

Go Now

Junior's Farm

Letting Go

Live And Let Die

Call Me Back Again

My Love

Listen To What The Man Said

Band On The Run

Hi Hi Hi

On This Day 09/09/1975 Kraftwerk

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On this day, 9 September 1975, German pioneering electronic band Kraftwerk played Cardiff’s Capitol Theatre.

Kraftwerk (German pronunciation: [ˈkʁaftvɛɐ̯k], lit. "power plant") were formed in Düsseldorf in 1970 by Ralf Hütter and Florian Schneider. Widely considered innovators and pioneers of electronic music, Kraftwerk were among the first successful acts to popularize the genre.

The group began as part of West Germany's experimental krautrock scene in the early 1970s before fully embracing electronic instrumentation, including synthesizers, drum machines, and vocoders. Wolfgang Flür joined the band in 1973 and Karl Bartos in 1975, expanding the band to a quartet.

The year 1975 saw a turning point in Kraftwerk's live shows. With financial support from Phonogram Inc., in the US, they were able to undertake a tour to promote the Autobahn album, a tour which took them to the US, Canada and the UK for the first time.

The tour also saw a new, stable, live line-up in the form of a quartet. Hütter and Schneider continued playing keyboard synthesizers such as the Minimoog and ARP Odyssey, with Schneider's use of flute diminishing. The two men started singing live for the first time, and Schneider processing his voice with a vocoder live. Wolfgang Flür and new recruit Karl Bartos performed on home-made electronic percussion instruments. Bartos also used a Deagan vibraphone on stage. The Hütter-Schneider-Bartos-Flür formation remained in place until the late 1980s and is now regarded as the classic live line-up of Kraftwerk. Emil Schult generally fulfilled the role of tour manager.

After the 1975 Autobahn tour, Kraftwerk began work on a follow-up album, Radio-Activity (German title: Radio-Aktivität). After further investment in new equipment, the Kling Klang Studio became a fully working recording studio.

The group used the central theme in radio communication, which had become enhanced on their last tour of the United States. With Emil Schult working on artwork and lyrics, Kraftwerk began to compose music for the new record. Even though Radio-Activity was less commercially successful than Autobahn in the UK and United States, the album served to open up the European market for Kraftwerk, earning them a gold disc in France. Kraftwerk made videos and performed several European live dates to promote the album. With the release of Autobahn and Radio-Activity, Kraftwerk left behind avant-garde experimentation and moved towards the electronic pop tunes for which they are best known.

On This Day 26/07/1963 Nat King Cole

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On this Day, 26 July 1963, legendary American singer Nat King Cole played Cardiff’s Capitol Theatre, with support provided by Ted Heath & His Music.

Nat King Cole, was a singer, jazz pianist, and actor and recorded over 100 songs that became hits on the pop charts.

Cole's shift to traditional pop led some jazz critics and fans to accuse him of selling out, but he never abandoned his jazz roots; as late as 1956 he recorded an all-jazz album, After Midnight, and many of his albums after this are fundamentally jazz-based, being scored for big band without strings, although the arrangements focus primarily on the vocal rather than instrumental leads.

Cole had one of his last major hits in 1963, two years before his death, with "Those Lazy-Hazy-Crazy Days of Summer".

His trio was the model for small jazz ensembles that followed.

Cole also acted in films and on television and performed on Broadway. He was the first African-American man to host an American television series.

Until his death in 1965, Cole was an active and visible participant in the civil rights movement, playing an important role in planning the March on Washington in 1963.

In August 1948, Cole purchased a house from Col. Harry Gantz, the former husband of the silent film actress Lois Weber, in the all-white Hancock Park neighborhood of Los Angeles. The Ku Klux Klan, which was active in Los Angeles in the 1950s, responded by placing a burning cross on his front lawn.

Members of the property-owners association told Cole they did not want any "undesirables" moving into the neighborhood. Cole responded, "Neither do I. And if I see anybody undesirable coming in here, I'll be the first to complain."

He was the father of singer-songwriter Natalie Cole (1950–2015).

On This Day 22/05/1969 Roy Orbison

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On this day, 22 May 1969, American singer, songwriter, and guitarist Roy Orbison played Cardiff’s Capitol Theatre. He was supported by The Art Movement, Ray Cameron and Moira Anderson.

He had just released his thirteenth studio album Roy Orbison's Many Moods It included two singles, both of which were minor hits in the UK; "Heartache", which just missed the Top Forty, stalling at number 44, and "Walk On", which scraped into the same chart, stopping at number 39.

Born in Texas, Orbison began singing in a rockabilly and country-and-western band as a teenager. He was signed by Sam Phillips of Sun Records in 1956, but enjoyed his greatest success with Monument Records. From 1960 to 1966, 22 of Orbison's singles reached the Billboard Top 40. He wrote or co-wrote almost all of his own Top 10 hits, including "Only the Lonely" (1960), "Running Scared" (1961), "Crying" (1961), "In Dreams" (1963), and "Oh, Pretty Woman" (1964).

Known for his distinctive and powerful voice, complex song structures, and dark, emotional ballads. Orbison's music is mostly in the rock genre and his most successful periods were in the early 1960s and the late 1980s.

His music was described by critics as operatic, earning him the nicknames "The Caruso of Rock" and "The Big O". Many of Orbison's songs conveyed vulnerability at a time when most male rock-and-roll performers projected machismo. He performed with minimal motion and in black clothes, matching his dyed black hair and dark sunglasses.

On This Day 16/05/1975 Alan Stivell

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On this day, 16 May 1975, Breton and Celtic musician and singer, songwriter, recording artist, and master of the Celtic harp Alan Stivell played Cardiff’s Capitol Theatre.

From the early 1970s, he revived global interest in the Celtic (specifically Breton) harp and Celtic music as part of world music. As a bagpiper and bombard player, he modernized traditional Breton music and singing in the Breton language. A precursor of Celtic rock, he is inspired by the union of the Celtic cultures and is a keeper of the Breton culture.

On 28 February 1972, Stivell performed a concert in the Olympia theater, a famous music hall in Paris, where Alan and his band played music combining traditional Celtic music with modern sounds (electric guitar, drums, etc.). This concert made Stivell and his music well known throughout France. At this time, Stivell's eclectic approach to music was very new and was considered risky, but it soon became popular. Over 1,500,000 records of that concert (À l'Olympia) were sold. Alan Stivell's newfound fame propelled him to tour across France, the United Kingdom, Canada and the United States. He continued recording, and published a collection of Breton poetry in 1976.

Music critic Bruce Eder has stated: "[Alan Stivell's] harp recordings, with their enveloping lyricism and tightly interwoven patterns of variations, can appeal to more serious listeners of new age music. Stivell's main audience, however, lies with fans of Celtic music and culture, and English folk music. Embracing ancient and modern elements, but (apart from his folk-rock work) making no compromises to modern melodic sensibilities, his music captures the mystery and strangeness of Breton, Irish, Welsh, and Scottish landscapes that are both ageless and timeless. It is haunting, mysterious, and beautiful, with no equivalent in modern popular music and few peers in the realm of commercial folk music."