On This Day 28/09/1971 Slade

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On this day, 28 September 1971, Black Country rockers Slade played Cardiff University.

Slade had worked endlessly during 1970 without finding the elusive hit record that manager Chas Chandler was convinced they had in them. One of their most popular live tracks they were performing at the time was what they believed to be an old Little Richard record entitled 'Get Down & get With It'.

In an effort to capture the very essence of the band it was chosen as their next single and released in May with little fanfare or trumpeting from Polydor. Despite that the track slowly began to rise up the pop charts until finally on August 1st Slade had their first ever top 20 hit in the bag.

The single became a pan European hit which kept the band occupied there at various stages throughout the year appearing on various TV shows plugging their new hit record. Peaking at number 16 in the official UK chart 'Get Down With It' as it is correctly titled gave them mass exposure across the country on the new fangled colour telly box's which were now becoming commonplace.

Gone were the Skinhead haircuts and accompanying paraphernalia. Instead Slade were openly embracing colour TV broadcasts and making sure that they were colourful and loud, very loud as they joyfully marched into the fabric of the nation.

In October the band recorded the shows which were to be edited down into a single LP for future release as 'Slade Alive'

The highlight of their year came in November when 'Coz I Luv You' reached the top of the national singles charts to give the band their first number 1 record.

On This Day 27/09/1958 The Hi-Lo's

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On this day, 27 September 1958, American jazz/pop vocal group The Hi-Lo's played Cardiff’s Capitol Theatre. Support was provided by Vic Lewis and his Orchestra, jazz harmonica player Max Geldray and Anglo-American comedian Alan Clive.

The Hi-Lo's were a close-harmony vocal quartet of the 1950's and early 1960's who brought the arrangement and harmonics of popular song to a standard which has seldom been equalled and never surpassed. In their time, only the Four Freshmen have acquired a comparable reputation.

They were Gene Puerling, bass-baritone, arranger and leader of the group: Bob Strasen, baritone: Bob Morse, baritone and occasional soloist and Clark Burroughs, tenor. The group was formed in April, 1953 and took their name from the incredible vocal range they covered between them. It was also true that, while Puerling and Burroughs were five feet seven and five feet five respectively, Morse and Strasen topped six feet.

They brought imagination, technical accomplishment, daring, determination and integrity to their artistry when the model for groups of their kind was a safe commercial blend. Their superiority in every department ofarranging, recording and performance was down to the genius of Gene Puerling who, in later years, went on to form Singers Unlimited with replacement Hi-Lo Don Shelton. After disbanding in the midst of the early-sixties British pop invasion of the United States and pursing their various projects, they reformed with great success in the late seventies to perform live and to produce two further outstanding albums.

Brian Wilson of the Beach Boys, the Mamas and the Papas, the Gatlin Brothers, Manhattan Transfer and Take Six were all awakening to their own musical ambitions at this time and cite the Hi-Lo's as a major musical influence. The group's personal appearances at this time are well remembered. They opened for Judy Garland on tour, sang at Madison Square Garden, the Hollywood Bowl and the Royal Albert Hall in London.

A critic who saw them at the Crescendo in Hollywood referred to their 'bright, well-scrubbed look and the highly humorous content of the act … accentuated by spokesman Puerling's comic patter, aided and abetted by cracks from the others' and to a routine in which the four Hi-Lo's wound up in a tangle of arms and legs on the floor. More seriously, they would find huge audiences breathless and captivated by their beguiling vocal performances.

On This Day 26/09/2007 Gwen Stefani

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On this day, 26 September 2007, American singer Gwen Stefani played Cardiff International Arena on her Sweet Escape Tour.

The tour began in April 2007 in support of her second solo album The Sweet Escape (2006). Performing for nearly a hundred concerts, the tour traveled to the Americas, Australia, Asia, and Europe.

The shows in North America ranked 23rd on Billboard "Top 25 Tours". The 55 reported shows grossed $30.6 million with 648,529 tickets sold.

Gwen Renée Stefani was born on October 3, 1969, in Fullerton, California, and raised Catholic in nearby Anaheim.[19] She was named after a stewardess in the 1968 novel Airport, and her middle name, Renée, comes from the Four Tops' 1968 version of the Left Banke's 1966 song "Walk Away Renée".

Her father Dennis Stefani is Italian American and worked as a Yamaha marketing executive. Her mother Patti (née Flynn) is Irish American and worked as an accountant before becoming a homemaker.

Stefani's parents were fans of folk music and exposed her to music by artists like Bob Dylan and Emmylou Harris. Stefani has two younger siblings, Jill and Todd, and an older brother, Eric. Eric was the keyboardist for No Doubt before leaving the band to pursue a career in animation on The Simpsons.

She attended Loara High School, where she graduated in 1987. After high school, she attended Fullerton College and Cypress College. She then transferred to California State University, Fullerton, but dropped out to pursue her music career.

Setlist

The Sweet Escape

Rich Girl

Yummy

4 in the Morning

Luxurious

Early Winter

Wind It Up

Danger Zone

Hollaback Girl

Now That You Got It

Don't Get It Twisted / Breakin' Up

Cool

Wonderful Life

Orange County Girl

Encore:

The Real Thing

What You Waiting For?

On This Day 25/09/1979 The Cure

On this day, 25 September 1979 rock band The Cure played Cardiff’s Sophia Gardens, supporting Siouxie and the Banshees on their Join Hands tour. The band had earlier in the year released their debut album Three Imaginary Boys on Friction Records.

The record company decided which songs were put on the album and running order, as well as the cover artwork, without Robert Smith's consent. For all Cure albums since, Smith has ensured that he is given complete creative control over the final product before it goes on sale.

The "Foxy Lady" soundcheck, with vocals sung by Michael Dempsey, was not supposed to be on the album, and was removed for the American release. Smith has stated that "songs like 'Object' and 'World War' and our cover of 'Foxy Lady' were [producer] Chris Parry's choice".

Despite Smith's displeasure with the record, Three Imaginary Boys was well received critically at the time of its release. Sounds' Dave McCullough praised it in a 5-star review and noted: "The Cure are going somewhere different on each track, the ideas are startling and disarming." McCullough noted the variety of the material and qualified "Grinding Halt" as a "pop song that reminds you of the Isley Brothers or the Buzzcocks." Red Starr, writing in Smash Hits, described the album as a "brilliant, compelling debut."

Setlist

10.15 Saturday Night

Accuracy

Jumping Someone Else's Train

Play For Today

Plastic Passion

Subway Song

Three Imaginary Boys

Boys Don't Cry

Fire In Cairo

Killing An Arab

Encore

Grinding Halt

On at his Day 24/09/1996 East 17

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On this day 24 September 1996, pop boy band East 17 played Cardiff’s International Arena.

East 17 began in 1991 when Tony Mortimer was promised a record deal with London Records after he presented his own material. The deal was granted under the condition that he form a group, which would be in the format that London Records were looking for. Mortimer recruited Brian Harvey, John Hendy, and Terry Coldwell.[citation needed]

The group was named East 17 after the postcode of their hometown, Walthamstow.

The group has released 18 top-20 singles and four top-10 albums and was one of the UK's most popular boy bands during the early- to mid-1990s, aided by strong tabloid interest in their 'bad boy' image, compared to the clean-cut style of rivals Take That. Their style blended pop and hip hop in songs such as "House of Love" and "Let It Rain".

East 17 has sold over 18 million albums worldwide and according to the British Phonographic Industry (BPI), the group has been certified with sales of 1.8 million albums and 2.6 million singles in the UK. Their biggest hit, "Stay Another Day", was the UK Christmas number one in 1994.

The group was usually seen as a grittier, more political and hip hop or rap-aligned ensemble than rival boy band Take That, as noted by Guy Adams of The Independent:

They shaved their heads, and had tattoos, and were a lot, lot cooler than the nancy boys of Take That. In the great five-year battle that dominated British pop, East 17 were also on the winning side. Their music was sharper and more streetwise. It was infused with hip hop and sold by the bucketload: 18 million records across Europe, compared with Take That's paltry 17 million.

— Guy Adams

On This Day 23/09/1987 Motorhead

On this day, 23 September 1987, heavy rockers Motörhead played Cardiff’s St David’s Hall on the group’s Rock ‘N’ Roll tour.

The band had recently released their eighth studio album Rock ‘N’ Roll, released in August 1987. It is their last album with the GWR label, as more legal issues embroiled the band with yet another label. Reaching only No. 34 in the UK Albums Chart, Rock 'n' Roll was, in that respect, the worst performing of all of Motörhead's top 40 chart hits.

It would see the return of 'classic line up' drummer Phil "Philthy Animal" Taylor, albeit only for a few more years before being fired.

Also in 1987, Motörhead appeared in the Peter Richardson film Eat the Rich, which starred the regular cast of The Comic Strip and Motörhead frontman Lemmy himself in a small part as "Spider". The band supplied six songs for the soundtrack as well. As the band was about to film their cameo, however, drummer Pete Gill was fired and Phil "Philthy Animal" Taylor rejoined after having quit in 1984. In his autobiography White Line Fever, Lemmy states the sacking of Gill was a long time coming.

"Peter was his own worst enemy, he was another one who wouldn't just be content in the band. He went up against me on a couple of decisions, and he was making Phil and Wurzel upset too. I got tired of him moaning, so when he kept us waiting while he hung around in the lobby of his hotel for twenty minutes while he read the paper or something, that was the proverbial last straw. I know it sounds trivial, but most flare-ups in families are, aren't they? And a band is a family."

Rock 'n' Roll was produced by the band and Guy Bidmead at Master Rock Studios and Redwood Studios in London. In the Motörhead documentary The Guts and the Glory, guitarist Phil Campbell states, "I like it. It's not a great album but... there's things on there I like, a lot of good things I like."

Campbell adds that the studio manager informed them that the studio they were recording in was owned by Michael Palin, and Motörhead – who were all huge Monty Python fans – invited Palin to come down and do a recitation for the album. Palin showed up dressed in a 1940s cricketer outfit, with a V-necked sweater and his hair all brushed to one side. Lemmy remembers Palin walking in and saying, "Hello, what sort of thing are we going to do now, then?" and Lemmy answering "Well, you know in The Meaning of Life, there was this speech that began 'Oh Lord — .'" Palin replied "Ah! Give me some cathedral!" and went in and recorded the 'Oh Lord, look down upon these people from Motörhead' speech.

On This Day 22/09/1974 Roxy Music

On this day, 22 September 1974, pioneering art rock band Roxy Music played the last of two nights at Cardiff’s Capitol Theatre. Support was provided by the Jess Roden band.

The tour took them around Europe, Australia and USA where they were seen on USA TV's Midnight Special perfroming 'A Really Good Time' & 'Out Of The Blue'.

The band were about to release their fourth studio album Country Life, which peaked at number three on the UK albums chart.and was the first Roxy Music album to enter the US Top 40, albeit at No. 37.

Country Life was met with widespread critical acclaim, with Rolling Stone referring to it "as if Ferry ran a cabaret for psychotics, featuring chanteurs in a state of shock".

The cover image was controversial in some countries, including the United States and Spain, where it was censored for release. As a result, early releases in the US were packaged in opaque shrink wrap; a later American LP release of Country Life (available during the years 1975–80) featured a different cover shot. Instead of Karoli and Grunwald posed in front of some trees, the reissue used a photo from the album's back cover that featured only the trees. In Australia, the album was banned in some record stores, while others sold each copy inside a black plastic sleeve.

Author Michael Ochs has described the result as the "most complete cover-up in rock history".

Jim Miller, in a 1975 review for Rolling Stone, wrote that "Stranded and Country Life together mark the zenith of contemporary British art rock."

Tour Musicians

Bryan Ferry - Vocals & Keyboards

Phil Manzanera - Guitars

Andy Mackay - Sax & Oboe

Paul Thompson - Drums

Eddie Jobson - Violin & Keyboards

John Wetton - Bass

On This Day 21/09/1983 Level 42

On this day, 21 September 1983, jazz funk band Level 42 played Cardiff’s Top Rank. The band had just released their fourth studio album Standing in the Light.

The album peaked at No. 9, being the group's first top 10 showing in the UK Pop Albums Chart. Standing in the Light has also been certified Gold in the UK by the British Phonographic Industry.

Standing in the Light was produced by Larry Dunn and Verdine White of Earth, Wind & Fire. On the final track "The Machine Stops", the lyrics are inspired by E. M. Forster's 1909 science fiction story of the same name.

The first single, "Out of Sight, Out of Mind", peaked at No. 41 on the UK Singles charts. The second single, "The Sun Goes Down (Living It Up)", gave the group its first top-ten hit in the United Kingdom. The third single, "Micro-Kid", peaked at No. 37 on the UK Singles Chart.

After they were seen jamming together, Level 42 were invited to sign to Elite Records (a small independent label) in 1980. They were also encouraged to branch out into vocal music. Having considered recruiting a singer, the band eventually settled on giving King and Lindup the vocal role. The two men developed a complementary style, with Lindup's falsetto frequently used for harmonies and choruses while King's deep tenor led the verses (although Lindup would also sing entire songs on his own). Lyrics were generally written by the Gould brothers while King, Wally Badarou and Lindup concentrated on Level 42's music.

The Elite Records single "Love Meeting Love" brought the band to the attention of Polydor Records, with whom they signed their second recording contract. In 1981, they released their first Polydor single, "Love Games", which became a Top 40 hit. They then cut their critically acclaimed self-titled debut album, which was an immediate success throughout Europe.